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	<url> 
		<loc>https://lucasihlein.net/Artists-Regional-Exchange-ARX5</loc> 
		<lastmod>2022-11-27T08:25:12+00:00</lastmod>
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		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/465b99581f90cde23e38d4760818f71895daa0db829b1096c2edc0660cc91c51/17143160637_8fb84dd908_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, Who am I to edit? (Dream Roll), as part of ARX5 Artists Regional Exchange, exhibited at PICA, Perth, 1999</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/4b321ab14fec1ecae6b3150b63d093f23bf9b69dd3af7f360077988e80117cf3/17162780728_0d00e3d709_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, Who am I to edit? (Dream Roll), as part of ARX5 Artists Regional Exchange, exhibited at PICA, Perth, 1999</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/9bddb4784a84e995a0bbb51d854685896a0c9d16c2b1b20f0a16677e501acfd4/17162966880_9f9653214b_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, Will Work for Money, as part of ARX5 Artists Regional Exchange, exhibited at Hong Kong University of Science and Technology, 1999; Sydney-Vienna, Akademie der Bilden Kunst, Vienna, 2000; STUFF Gallery London 2000; Bilateral, Experimental Art Foundation, Adelaide, 2002.</image:caption>
		</image:image>
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			<image:loc>https://freight.cargo.site/t/original/i/f81015b92c097b4dd6f55c016ea6036015dcde41de401fb6cc5f45b96122ddfb/17164293059_b0f6f98cf3_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, Will Work for Money, as part of ARX5 Artists Regional Exchange, exhibited at Hong Kong University of Science and Technology, 1999; Sydney-Vienna, Akademie der Bilden Kunst, Vienna, 2000; STUFF Gallery London 2000; Bilateral, Experimental Art Foundation, Adelaide, 2002. Installed in background: Event for Touristic Sites</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/2f8455494dba063593e4ccc52f33699ac886cc99c1326e1e4d6251fca51511d0/17164357719_b2f68c50ec_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, Who am I to edit? (Dream Roll), as part of ARX5 Artists Regional Exchange, exhibited at PICA, Perth, 1999</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/9903d4351cb1165f07b2e0830192a2da91a394af20d2618d0537f307340cc454/17348667362_357f06308c_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, Who am I to edit? (Dream Roll), first exhibited as part of ARX5 Artists Regional Exchange, exhibited at PICA, Perth, 1999. Shown here in Bilateral, Experimental Art Foundation, Adelaide, 2002.</image:caption>
		</image:image>
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			<image:loc>https://freight.cargo.site/t/original/i/ec2fa8c4c129056d621e9bc16da1acbf8235799f31c0dd3c6f174d523b352a86/17351758265_5997abe0ac_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, The only 3D work I do is farming, as part of ARX5 Artists Regional Exchange, exhibited at PICA, Perth, 1999.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/585a34d292db540a91707b2bef9872fcf8a70380e87e7842d6ae0aa23cddd5d1/Screen-Shot-2015-05-06-at-22.39.02.png</image:loc>
			<image:caption>Lucas Ihlein, Who am I to edit? (Dream Roll), as part of ARX5 Artists Regional Exchange, exhibited at PICA, Perth, 1999</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/7714d1881b7459ddd87ca1a2bae90e02b41a62d92bd4b637e54be0e966968820/Screen-Shot-2015-05-06-at-22.39.14.png</image:loc>
			<image:caption>Lucas Ihlein, Who am I to edit? (Dream Roll), as part of ARX5 Artists Regional Exchange, exhibited at PICA, Perth, 1999</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/159990388810632a30108fe554c82517635a9cbc6d424287c8694ff969be3726/Screen-Shot-2015-05-06-at-22.39.43.png</image:loc>
			<image:caption>Lucas Ihlein, Who am I to edit? (Dream Roll), as part of ARX5 Artists Regional Exchange, exhibited at PICA, Perth, 1999</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/e983a7821e15bd9d078da3ee570fcd241a272130d4f25eee28e4c3ed81505d48/16731217363_4ac4a91e5a_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, My typewriter only speaks English, as part of ARX5 Artists Regional Exchange, exhibited at Singapore Art Museum 1998.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/437164d1658692e9defad1b15abeb465d9fc35a8e72c7b8d07187f5dde1ee0a6/17163689258_f1c8c94063_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, My typewriter only speaks English, as part of ARX5 Artists Regional Exchange, exhibited at Singapore Art Museum 1998.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/ac24ebc88a6d7d57a0979211b6541d51d13ef334378a75373a15ad89ec12e13e/17163894320_4e3b58aaf0_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, My typewriter only speaks English, as part of ARX5 Artists Regional Exchange, exhibited at Singapore Art Museum 1998.</image:caption>
		</image:image>
	</url>
	<url> 
		<loc>https://lucasihlein.net/Network-of-UnCollectable-Artists</loc> 
		<lastmod>2025-04-28T05:47:12+00:00</lastmod>
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		</image:image>
	</url>
	<url> 
		<loc>https://lucasihlein.net/Event-for-Touristic-Sites</loc> 
		<lastmod>2022-11-27T08:07:33+00:00</lastmod>
		<changefreq>always</changefreq>
		<priority>0.5</priority>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/39b715fe8cceda22e1fa8afbc942cedeb2c878b542256c2f8143a5c365dc36dc/performance space installation_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, Event for Touristic Sites, a happening for T-shirts, cameras and tourists, shown here in video installation form as part of Video Spell (Event) curated by Blair French, Performance Space, 2003.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/ade14da47ca433f27582c6568eea7493363393f2abbdb0ac48ed4d037ad50e55/16728435844_fe6e71605b_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, Event for Touristic Sites, a happening for T-shirts, cameras and tourists, shown here at the Perth Clocktower, 2001.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/5fffee572917ff5b6029bb4190fde0d955fb4f71fc59e37e2718f13005acaab9/16730553563_239a675df9_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, Event for Touristic Sites, a happening for T-shirts, cameras and tourists, shown here at the Perth Clocktower, 2001.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/a5ced6506e6147b9cec81569d809b10d673297a751ae0ce6f08852ebaeab75f0/17143521077_b6b92e65cc_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, Event for Touristic Sites, a happening for T-shirts, cameras and tourists, shown here at the Sydney Opera House, 2001.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/e546a38926d7449d39c7fdfd64e2ff0b53dc10384c343f77436f5f9578a9fc95/17164780789_5450c8a0f6_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, Event for Touristic Sites, a happening for T-shirts, cameras and tourists, shown here at the Perth Clocktower, 2001.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/a6d85574cdd5359d44bd1b1e73398993773872cc7f96329c554212f153eacc92/17348850332_752f73123a_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, Event for Touristic Sites, a happening for T-shirts, cameras and tourists, shown here at the Adelaide Christmas Pageant, 2002.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/aac2b0f7a268a9d61cea9f390988fc0e0714c663b848caf6c427a672395cd914/17349087012_10b6938093_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, Event for Touristic Sites, a happening for T-shirts, cameras and tourists, shown here at the Perth Clocktower, 2001.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/df6a2c1e297819a1b613a4aa93c0cb04c37dfead1df5b55726a67a867dd8541b/17350570871_3d03521a0e_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, Event for Touristic Sites, a happening for T-shirts, cameras and tourists, shown here at the Adelaide Mall, 2002.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/06b63ba54672c7b4cd3011b06e9ab2619c8316f56878e5d7c560136bf59e48f7/17350644361_c23ee786b2_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, Event for Touristic Sites, a happening for T-shirts, cameras and tourists, shown here at the National Museum of Australia, 2001.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/ca14ebc840bd37afd4cde8da9078aecf05feb4b42221b37adde47a033d1e93af/17350961105_d368206220_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, Event for Touristic Sites, a happening for T-shirts, cameras and tourists, shown here at the Adelaide Mall, 2002.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/1a61487b7183cb3764bdef29e5b6ebcfd0c8bfe8c4d0bfb38b891996b0e1887d/17350987065_04c991b59c_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, Event for Touristic Sites, a happening for T-shirts, cameras and tourists, shown here at the Adelaide Mall, 2002.</image:caption>
		</image:image>
	</url>
	<url> 
		<loc>https://lucasihlein.net/Bad-Press</loc> 
		<lastmod>2026-03-01T07:39:29+00:00</lastmod>
		<changefreq>always</changefreq>
		<priority>0.5</priority>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/0ea6c62586f133ead5f74b97d5ab9cba11e579656435787b62a9c3482b6de8cc/bigfag01_o.jpg</image:loc>
			<image:caption>Graphic showing "A brief history of Big Fag Press".</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/1a8612d2b4012100929932837edf8139544b727e1ba08746176533b34df61dc0/alex stevenson prints record covers_o.jpg</image:loc>
			<image:caption>Designer Alex Stevenson with What Lies Beneath LP covers, 2013.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/0965a03d8b61e7473676eab3eb77e84a39c3e5de7c3af885713b1efe78eab8a4/big fag designer magic_o.jpg</image:loc>
			<image:caption>Diagram showing the standard process in which a designer produces a physical printed product.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/5b4513f4c0371ccd96b1f0e8f23faeb2e0169c73c7407c713edb201d8db974f4/big fag printing process 01_o.jpg</image:loc>
			<image:caption>How offset printing works, part 1 of 4</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/0a188d04ac51aea39167a53600b9363d3a232f166b55e2297bb91721c61238bf/big fag printing process 02_o.jpg</image:loc>
			<image:caption>How offset printing works, part 2 of 4</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/cb730848734681b889d24336e8be6ee4decec4beb4d883172aebd75a0d9f0207/big fag printing process 03_o.jpg</image:loc>
			<image:caption>How offset printing works, part 3 of 4</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/def563217b14ec8b0160efa2ea0037dabf7cc503fbf119344cb109313e1afd43/big fag printing process 04_o.jpg</image:loc>
			<image:caption>How offset printing works, part 4 of 4</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/d1f7aa80e44ed7924ee1ce5416e56e9bd7e48e1b4076418c276694dd1dc71653/big fag water oil diagram_o.jpg</image:loc>
			<image:caption>Diagram showing the water-vs-oil basis of offset lithography.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/84f6e7c9860db1992818177a335ab50be36c3a35d522d0f0181e755511494934/claire orrell mca covers_o.jpg</image:loc>
			<image:caption>Designer Claire Orrell with "Avoiding Myth and Message" - limited edition covers for exhibition catalogue for Museum of Contemporary Art, Sydney, 2009.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/fa983114366703cbcce8d3bd0a3ff6a1ee1eb06df8b50b846f02df1536c56eb8/crane moving press_o.jpg</image:loc>
			<image:caption>Moving the Big Fag from Alexandria to Woolloomooloo, 2010.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/96cdb66ba96d4e6896dcda9483b6678785518e140c8a6480dc57ea89b81457e1/demos at big fag_o.jpg</image:loc>
			<image:caption>John Demos with "Transcriptions", 2013, produced during Accessible Arts residency programme.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/575af5a76ba38908c78bfdc46653b119d6352e97a1a4ed164146e63b1858aca5/diego bonetto with crane print_o.jpg</image:loc>
			<image:caption>Diego Bonetto with "Big Fag Crane Print", 2009, fundraising print for Alexandria-Woolloomooloo move.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/f97ba910340d4fab7cce7deac2c0e6543d36b470f9a0f16fdfd89dbbe632cf1f/laura hindmarsh_o.jpg</image:loc>
			<image:caption>Laura Hindmarsh with "Moire" print experiment produced during Emerging Artist Residency Programme, 2013.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/e9f1d9db03be10f247664db9119bb5551fb3638b43b7265a1ba5adeacacf0533/lucas ihlein yeomans nevallan_o.jpg</image:loc>
			<image:caption>Lucas Ihlein with "Nevallan" - by Ihlein and Ian Milliss, as part of Yeomans Project, 2011-13.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/92fadfdafee864c7c8d8d3dd50637c03b9255275ffb8a4e78d9efe8e245f4e27/paul d miller_o.jpg</image:loc>
			<image:caption>Paul D.Miller (DJ Spooky) with Nauru Elegies, 2009.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/713fb3ce7cedefc6ee05051c7b72b44563f14849d6a09364a14d9f4bde4ed5dd/tom nicholson camp pell final print_o.jpg</image:loc>
			<image:caption>Tom Nicholson's Camp Pell Lectures, 2010.</image:caption>
		</image:image>
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			<image:loc>https://freight.cargo.site/t/original/i/851eccb2c2170b01b3bdbac55947f203ca8da3dd62d417186404213c9514e220/trent walter_o.jpg</image:loc>
			<image:caption>Trent Walter with Island. The blue=silkscreen produced at Negative Press in Melbourne, and the black=offset lithograph produced at Big Fag Press in Sydney.</image:caption>
		</image:image>
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			<image:loc>https://freight.cargo.site/t/original/i/02e20c5f5902a811be22ef265083037bca58c81ba9c92a8729b80083369bc16a/underground_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, UnderGround, offset lithographic print, 2010.</image:caption>
		</image:image>
	</url>
	<url> 
		<loc>https://lucasihlein.net/Cornflakes</loc> 
		<lastmod>2022-11-27T07:55:03+00:00</lastmod>
		<changefreq>always</changefreq>
		<priority>0.5</priority>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/943b140ad989538f0fe305e9f0b61b7b6b2ea5320fb0a258fe163f93a1677ebf/2980921940_0c3949d0b2_o.jpg</image:loc>
			<image:caption>Lucas Ihlein performing Cornflakes, 1996, video still</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/9e5b35e0f436018e50af4f6ce5099d24501e0549e9ebd4de031c41d93db358d2/2980921676_e70efaed8c_o.jpg</image:loc>
			<image:caption>Lucas Ihlein performing Cornflakes, 1996, video still</image:caption>
		</image:image>
	</url>
	<url> 
		<loc>https://lucasihlein.net/Saw-Your-Double-Bed-in-Two</loc> 
		<lastmod>2025-04-28T05:50:38+00:00</lastmod>
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		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/4b5931bd6b8bc789b9e83b30face2f34d7f00a81649f87f73a82dc1555f7b64a/16729241904_b74010311c_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, Saw Your Double Bed in Two (detail), 1998</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/dca95f74304b6da1873f81711af554c4978bd746ca35572c8fda80f6685b3f40/17163920498_f7cef4fb12_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, Saw Your Double Bed in Two, 1998 (production still)</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/01255e7a201e0b9fd09bdab3a5bcd1423992bf1cf7dd9c289162090580db0c6e/17164162850_e41c4e979e_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, Saw Your Double Bed in Two, 1998 (production still)</image:caption>
		</image:image>
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			<image:loc>https://freight.cargo.site/t/original/i/d71a626cc10aaa3a3abcf670ca3bf519b988a158cfa81f7e9a20dc77fed7c2a9/17165476299_4032359f64_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, Saw Your Double Bed in Two, 1998 (production still)</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/9baedc6687872cf540a9e2277d4a1ef7ef1d177dc578ddddd4b990c994e2cba1/17144316017_c7d45b27a2_o_2.jpg</image:loc>
			<image:caption>Lucas Ihlein, Saw Your Double Bed in Two, 1998 (photo by Chris Fortescue)</image:caption>
		</image:image>
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			<image:loc>https://freight.cargo.site/t/original/i/e64ffde7bcb024f6602d20e977f45cf6bea11ab3cf740468c9d28ba9b4fd925e/saw-your-double-bed-poem.jpg</image:loc>
			<image:caption>Lucas Ihlein, Saw Your Double Bed in Two, 1998 (full title of work)</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/10345dce2d49ae8f6e799f15e6d6cf450d0fcc6e948185e37264a46058698d1f/ihlein-saw-your-double-bed-diagrams.png</image:loc>
		</image:image>
	</url>
	<url> 
		<loc>https://lucasihlein.net/The-Henihle-Booth</loc> 
		<lastmod>2022-11-27T07:53:49+00:00</lastmod>
		<changefreq>always</changefreq>
		<priority>0.5</priority>
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			<image:loc>https://freight.cargo.site/t/original/i/ae453d514cb899d69f96381545a89f8d3f6fd063dd73d3347bc4217b233806c8/17583671789_43b4eeae52_o.jpg</image:loc>
			<image:caption>Mick Hender and Lucas Ihlein, The Henihle Booth, 1996, Perth Institute of Contemporary Arts</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/2adbd19b7d982174695390824837620f6194a5f9882228b525987b2b708a9160/17147434014_177496b31f_o.jpg</image:loc>
			<image:caption>Mick Hender and Lucas Ihlein, The Henihle Booth, 1996, Perth Institute of Contemporary Arts</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/8e24969cb748acdec5ddedfa7129eaef84f481482e92e9ae35dca9d459ff9755/17165158159_f1f672e3ef_o_5.jpg</image:loc>
			<image:caption>Mick Hender and Lucas Ihlein, The Henihle Booth, 1996, Perth Institute of Contemporary Arts</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/c34f9b8771ec90091dd304e3d036c9b06c5deef0c3e7e2c3128d793c1065ceb0/17349511482_c08f24a19d_o_6.jpg</image:loc>
			<image:caption>Mick Hender and Lucas Ihlein, The Henihle Booth, 1996, Perth Institute of Contemporary Arts</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/66378718f7454000e6886a3485eeaff2bb62476936eeb892d713a9aafa2a620a/17349537652_a57b173125_o_7.jpg</image:loc>
			<image:caption>Mick Hender and Lucas Ihlein, The Henihle Booth, 1996, Perth Institute of Contemporary Arts</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/402ff7f6f7e742b862f6134f1510c732f3b94abcb195a63405dccd8bf459cc07/17351044271_63a1cfd7ce_o_8.jpg</image:loc>
			<image:caption>Mick Hender and Lucas Ihlein, The Henihle Booth, 1996, Perth Institute of Contemporary Arts</image:caption>
		</image:image>
	</url>
	<url> 
		<loc>https://lucasihlein.net/The-Peg-24-Pieces</loc> 
		<lastmod>2022-11-27T07:50:10+00:00</lastmod>
		<changefreq>always</changefreq>
		<priority>0.5</priority>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/617b5554247d1d107feee43e53906a88461fe88ef943feb939480fe111d2ed3a/peg24_02_o.jpg</image:loc>
			<image:caption>Mick Hender and Lucas Ihlein, The Blue Panels, Silver Artrage Festival History Exhibition, 2008. To the right of the blue panels in this installation shot is a fragment from Mick Hender's Black and Gold Art project from 1995</image:caption>
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		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/549326975bd2f57c6e9ec23bb1dddd6c07d3a66ecf1f948c53b2f8e1bd79a309/peg24_01_o.jpg</image:loc>
			<image:caption>Mick Hender and Lucas Ihlein, The Peg#24 Pieces: Peg#24, Gomboc Gallery Sculpture Survey, 1995.</image:caption>
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		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/bb31861d408af7360ce2326a4a920d7ce9d1e119e22201720de0df09aa7c23e1/17163373118_a8d84b54ee_o.jpg</image:loc>
			<image:caption>Mick Hender and Lucas Ihlein, The Peg #24 Pieces: Performers I and II on the Road Again, performance at Perth Cultural Centre,  1996.</image:caption>
		</image:image>
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			<image:loc>https://freight.cargo.site/t/original/i/ffe87a816ef44b8b84ca3f659be0d5913ba982dade036287859f13f76eb1f4d3/17163413718_07f6c3ec73_o.jpg</image:loc>
			<image:caption>Mick Hender and Lucas Ihlein, The Peg #24 Pieces: Performers I and II, performance at Putting on an Act, PICA, Perth, 1995.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/1f863b304c19393265e4c3c49d837894668c158d854d96db1eacce64cf854ad1/17163423298_f7800c0e7e_o.jpg</image:loc>
			<image:caption>Mick Hender and Lucas Ihlein, The Peg #24 Pieces: The Large Sculpture, exhibited at Missing the Link, Artshouse Gallery, Perth, 1995</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/f8338cd1bd2b305213c0abac5b69a1421fb87e5c47ea6f74fb90f64825d8709e/17164962989_c94436af6a_o.jpg</image:loc>
			<image:caption>Mick Hender and Lucas Ihlein, The Peg #24 Pieces: Performers I and II on the Road Again, performance at Perth Cultural Centre,  1996.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/ec928a445f00b9f37924e719a625ba0eace501ac0250b12fad612560ba8c4f17/17325201986_4b3e050544_o.jpg</image:loc>
			<image:caption>Mick Hender and Lucas Ihlein, The Peg #24 Pieces: Performers I and II on the Road Again, performance at Perth Cultural Centre,  1996.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/65ac348c1f67f01cef16569baad8703ce9da2e5cb38e318c55631032372af9c8/17350822871_4430cb2dbe_o.jpg</image:loc>
			<image:caption>Mick Hender and Lucas Ihlein, The Peg #24 Pieces: Performers I and II, performance at Putting on an Act, PICA, Perth, 1995.</image:caption>
		</image:image>
	</url>
	<url> 
		<loc>https://lucasihlein.net/Random-Sample</loc> 
		<lastmod>2022-12-09T11:03:42+00:00</lastmod>
		<changefreq>always</changefreq>
		<priority>0.5</priority>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/46bdd93d04eeb54ac33f67ebceed199cff7af3e7138a73a42510c83e5fd0144d/Screen-Shot-2018-07-24-at-2.30.13-PM.png</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/320bc1325099ccff41e4fc9e338ba3f856c4c5e4291e7ce37dabc4cd791555ca/Screen-Shot-2018-07-25-at-8.55.21-AM.png</image:loc>
		</image:image>
	</url>
	<url> 
		<loc>https://lucasihlein.net/UnReal-Estate</loc> 
		<lastmod>2022-11-27T08:02:29+00:00</lastmod>
		<changefreq>always</changefreq>
		<priority>0.5</priority>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/495a5e12b258cfbaeefa4f6e2e4064b22921cd294e03c8687eb97fea94d18c91/1025005077_5e0ebb295b_o.jpg</image:loc>
			<image:caption>SquatSpace, UnReal Estate, Newcastle, Australia, 2002,</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/1b9c159a86b18f6eebb11562f7476243009d1a1f5cbd275dee0bf7f15487f26d/1025087035_c0ebbbfd78_o.jpg</image:loc>
			<image:caption>SquatSpace, UnReal Estate, Newcastle, Australia, 2002,</image:caption>
		</image:image>
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			<image:loc>https://freight.cargo.site/t/original/i/e48d0749813a12001b277c33e54c84bc15f96fb6a5accad59eff0e478dec2668/1025850130_ba68f52ae5_o.jpg</image:loc>
			<image:caption>SquatSpace, UnReal Estate, Newcastle, Australia, 2002,</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/cb980dc0fd85d6d71df00ade785723239bbde64853807f48c47aefbe8a0ff480/1025857488_b344573225_o.jpg</image:loc>
			<image:caption>SquatSpace, UnReal Estate, Newcastle, Australia, 2002,</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/e2df8cccef00eb6c09904a9b6fca60096e591ca8487249a2b97c95b6ab6440b8/1025889134_3e4dddf570_o.jpg</image:loc>
			<image:caption>SquatSpace, UnReal Estate, Newcastle, Australia, 2002. Article by Michael Gadd in The Newcastle Herald.</image:caption>
		</image:image>
	</url>
	<url> 
		<loc>https://lucasihlein.net/What-Lies-Beneath</loc> 
		<lastmod>2022-11-27T07:46:33+00:00</lastmod>
		<changefreq>always</changefreq>
		<priority>0.5</priority>
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			<image:loc>https://freight.cargo.site/t/original/i/fb82c2ee0ef76bd12ad075fdb5a2b0dd572995bd4fac6cdfb72395942c1878e9/wlb_01_o.jpg</image:loc>
		</image:image>
	</url>
	<url> 
		<loc>https://lucasihlein.net/The-Human-Fax-Machine-Experiment</loc> 
		<lastmod>2022-11-27T07:42:34+00:00</lastmod>
		<changefreq>always</changefreq>
		<priority>0.5</priority>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/130c9c4e19fae831ed755e682b2e852643b235456261f5d1104d45421a8b1404/01 ihlein_o.JPG</image:loc>
			<image:caption>Creating the Code. Participants work together to develop their system. Consensus needs to be reached on what each sound will ‘mean’. This is then written down as a lexicon which makes sense only within the group.</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/5699daed4720fc533479cc89a611ee89bc30dba9eb218eea607815cfe31a6a3c/02 ihlein_o.JPG</image:loc>
			<image:caption>Transmitting the code. Often one or two people will determine how to codify the image as sound, and a third will receive instructions and make the sounds - in this case by banging a metal tray with a spoon.</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/f751a7c33607734a3faae1b773fbbfa0b253472da041422b7fd28532fcd58e44/03 ihlein_o.JPG</image:loc>
			<image:caption>A typical classroom setup. Two tables have been up-ended to create a visual barrier. The ENCODERS sit on the left in this photo, and the DECODER sits on the right.</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/9841b84a0a6433078d2dcd0a538d6facc499ff6c5d91f491d9789ec6cd6284c0/06 ihlein_o.JPG</image:loc>
			<image:caption>Text-based systems. Here, the group has decided to transmit images through descriptive words. Each letter of the alphabet corresponds to a certain number of ‘gong strikes’ followed by a certain number of ‘hand taps’. This system has more economy of scale than a basic alphanumeric code like ‘A=1, Z=26’, but the system’s weakness is that it still relies heavily on the accurate description of an image in words - and assumes that the DECODERS will be able to re-generate the image from the textual description.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/ecfa27fcbbde5fd849519038beb8e274be1322086d0539b8fded48c079bb135c/07 ihlein_o.JPG</image:loc>
			<image:caption>Text-based Systems. An example of the image transmission resulting from the code system developed in the previous slide. Here you can see how much detail the text needs to go into for a relatively simplistic image transmission. This system would begin to fall down if the image being transmitted had abstract elements.</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/3091cf7ebd4cb2fc5d445b416392d221b834699e25931039474d67de4dee1585/08 ihlein_o.JPG</image:loc>
			<image:caption>Vector-based systems. Here, the group has developed a ‘clock face’ approach - i.e., each of the numbers 1-12 represent a particular angle for the direction through which a line will travel. The distance of the line segment is determined in advance. Thus three ‘taps’ followed by four ‘claps’ would mean travelling in the direction of ‘3 o’clock’ for a distance of four units. To be versatile, this plotting system would need to have the capacity to instruct the DECODER to move his/her marker pen to a new position on the grid.</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/9bf42ab26f10157f8bfbc3e00bcd93e07085bbec666ddd285fb7e66ab3567831/09 ihlein_o.jpg</image:loc>
			<image:caption>Vector-based systems. The basic components of this vector system are: direction of line; beginning position of the line segment (within a pre-determined grid); and type of line (e.g., curved, straight, etc.).</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/468609cd2c0cc4cc2c9166168150f13b2e3b0febd243fcc49a58717e4ded2814/10 ihlein_o.jpg</image:loc>
			<image:caption>‘Shape’-based systems. A variation on the vector approach. This group proposed that images are composed of basic constituent shapes (circle, square, triangle) as well as line segments. The limitations of this particular system are writ large by the group on their code-lexicon page.</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/04d97fd1c5ef7bc2c5db42a86d81a860e3f00b232b7d06a300ab550ede0fc9be/11 ihlein_o.JPG</image:loc>
			<image:caption>Raster-based systems. Accurate only down to the level of ‘resolution’ chosen for the underlying grid. Participants produce multiple copies of this grid in advance as a kind of ‘software’. This method produces a pixelated approximation of the original image. Can be time consuming and mechanical, since information relating to each and every pixel position needs to be transmitted. Transmission duration could be shortened by devising a method of ‘compression’ to communicate several blank pixels in a row.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/5b27ec4670307dbf69551b2fbddefc1daaff1a690840af6dc6503dbe41d8d989/12 ihlein_o.JPG</image:loc>
			<image:caption>‘Point plotting’ method. This is a hybrid of the raster and vector systems, but with compression built into it, since only critical points on the grid are transmitted. The weakness of this system is that it relies on the DECODERS to join the dots - leaving room for error, especially with more complex or abstract images.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/68a3d2e03b80f3577948a06d3233760c0a9efa02fb4cc1ec9fbf8275748f9d39/13 ihlein_o.jpg</image:loc>
			<image:caption>Hybrid systems. This complex approach is a vector system with a semantic ‘enhancement’. Its lexicon is based on words in a predicted hierarchy. For instance, words like ‘person’ and ‘building’ and ‘animal’ have their very own codes. This approach seems a bit like the game of charades - and like that game, success would depend on good rapport and shared cultural references between the ENCODERS and DECODERS.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/e58585b886c8660084e5b3380126f88ce27af52d400470e01ac9973dbbb69129/14 ihlein_o.JPG</image:loc>
			<image:caption>Redundancy. The mechanical nature of the raster-based system means that three group members can put themselves to the task of DECODING the image simultaneously, thus reducing the risk of a catastrophic transmission dropout if one participant’s attention drifts off momentarily.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/26233ea7904a2231279d4a34bfeced8d1d17b24754e951d4ab35a7fff084e0c3/15 ihlein_o.JPG</image:loc>
			<image:caption>Feedback systems. This group has recognised the need for a signal to be sent from the DECODERS to the ENCODERS requesting the repetition of a sound, or a pause in the sending of the image.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/3b61827cea39cc5b39e61a277c13e3710e0f4c14e279ec08e0ba5473dab5a994/16 ihlein_o.JPG</image:loc>
			<image:caption>Efficiencies. Here the ENCODERS have produced a working ‘score’ that they will use to produce the sonic transmission. This separates the process of encoding from the action of sound-making, thus increasing the speed of transmission and reducing the chance of error.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/669e4b637b8e8bf04f17c14836ff699667e2ccd007f8a757140d9d44581ff885/17 ihlein_o.JPG</image:loc>
			<image:caption>Artefacts. Another score - this approach to transmission produces some interesting byproducts. The marks on this page are effectively an image displayed in its underlying codified form.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/3013ffa441b01d4b21dfd298b74c43f78ccb3d20cf98e7c48620f77c1867532f/18 ihlein_o.JPG</image:loc>
			<image:caption>Efficiencies. Encoding the score before transmitting. This vector-based system is ill-equipped to deal with curved lines. The ENCODERS break the image into straight line segments which their system can accommodate, then they discard the original image. An approximated image will be transmitted this way.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/25e3248ed182ffb89039db9dddb55aed865347151059ff247fad2c2c93f1f8b4/19 ihlein_o.JPG</image:loc>
			<image:caption>Refinements. Here, a group using the raster method completes the DECODING process by tracing the pixelated result onto another layer of paper, thus returning the image to a line drawing.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/35d8a68c46889ace751e915d574223330db03f6e050bea9b706bb04db0ca8b1f/Brogan-Bunt-Fig-01_o.jpg</image:loc>
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			<image:loc>https://freight.cargo.site/t/original/i/07fee985b1b31f503a4dcff9d8436d1011cb450971b8da3ca99772bdba6756e9/Brogan-Bunt-Fig-02_o.jpg</image:loc>
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		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/e2432a7c6ab608304159b0a5e4360ce860db82bbb063aaab3a0df595b7300fe5/Brogan-Bunt-Fig-03_o.jpg</image:loc>
		</image:image>
	</url>
	<url> 
		<loc>https://lucasihlein.net/Antarctic-Ice-Shelves</loc> 
		<lastmod>2025-08-09T16:24:36+00:00</lastmod>
		<changefreq>always</changefreq>
		<priority>0.5</priority>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/29e49eaa22e242b5fbeaad0ea1a30fbe2ed04a5be61426ae2e9fd1f849331820/shlice 2_o.jpg</image:loc>
			<image:caption>Putting the finishing touches on Antarctic Ice Shelves</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/890d6b2b4c1306a9d10de71b30eb5c3d7f6b6402f410779da461e56120be56db/shlice_o.jpg</image:loc>
			<image:caption>Antarctic Ice Shelves, Ice Hotel Installation, Sweden, 2005</image:caption>
		</image:image>
	</url>
	<url> 
		<loc>https://lucasihlein.net/Redfern-Waterloo-Tour-of-Beauty</loc> 
		<lastmod>2022-11-27T07:26:04+00:00</lastmod>
		<changefreq>always</changefreq>
		<priority>0.5</priority>
	</url>
	<url> 
		<loc>https://lucasihlein.net/Bon-Scott-Blog</loc> 
		<lastmod>2022-11-27T07:33:41+00:00</lastmod>
		<changefreq>always</changefreq>
		<priority>0.5</priority>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/000e98f4a7dae9d9bf499690cb39dc97e31844aa461e8f18bbcc5d834c41fc2c/lightning rod_o.jpg</image:loc>
			<image:caption>Lightning Rod Strikes Northbridge - Lucas Ihlein in costume, having been invited to judge the Air Guitar championships...</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/bb8159909dc1c759ac55884c3371f97b236cefc0f97e6875f200580b763d9841/bundy rum cemetery_o.jpg</image:loc>
			<image:caption>David gives Bon Scott a "sip" of Bundy at the Cemetery in Fremantle.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/fd42cd1f0bb8698b80fb59cc84cf2f939ba6b080aa16c7b6d63c1c1bd1beef34/best roadie ever_o.jpg</image:loc>
			<image:caption>Darcy, who in the 1970s was Bon Scott's good friend, and best roadie ever.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/df06aa5e3e1e25378399d344dbe7c68698f5a24328567124daa1cf449c6d03b7/led sign pilgrim_o.jpg</image:loc>
			<image:caption>LED sign in Fremantle displaying messages from Bon Scott fans around the world.</image:caption>
		</image:image>
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			<image:loc>https://freight.cargo.site/t/original/i/a5e1a9f3ddd32613c1048b114a35a20e80fbfa19486fc7baeb80986d63f7e7bb/silkscreening aprons_o.jpg</image:loc>
			<image:caption>Screenprinting "Bon Scott Crotch" aprons - the drawing is by Hana Shimada.</image:caption>
		</image:image>
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			<image:loc>https://freight.cargo.site/t/original/i/ff45ddf6b69782793f41d1d9f2f1e5399735e99dbfbdb98f635cab12854d2e56/ashley and bill_o.jpg</image:loc>
			<image:caption>Fans Ashley and Bill travel from Glasgow to pay respects to Bon Scott at the Fremantle Cemetery.</image:caption>
		</image:image>
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			<image:loc>https://freight.cargo.site/t/original/i/2e5e6d2cc2cd89e44e9031c2ef5329572719e9b6222ddf427db4fc384a0745d5/stevo collector_o.jpg</image:loc>
			<image:caption>Stevo the collector lays out his booty at his home in Perth.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/2d9e5c45e243175ac838a330b34a6cccbb257fc4c9035c8d5eb84d750a58f6bd/librarians_o.jpg</image:loc>
			<image:caption>Fremantle librarians and their Bon Scott tattoos.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/3711275f6587562d0b2e695f663f4a6220d131fc8d5a8b5e5c224e4a86aaf831/demolition damo_o.jpg</image:loc>
			<image:caption>Lucas Ihlein with Bon Scott fan "Damolition" in his home-built sound-proof room. Photo by Silversalt.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/73de6fcd41bd44d520c52effc6a872dd089d0650c0e35c66d1fc513476f60bc0/mary renshaw_o.jpg</image:loc>
			<image:caption>Mary Renshaw, old friend of Bon Scott, shows off a t-shirt given to her by Bon in the 1970s.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/9fb6c71d2e95b8903e810928e7f852e2ac278a3c34f55de671084fb14c336651/bonscott project vinyl banner_o.jpg</image:loc>
			<image:caption>Bon Scott Project vinyl banner on display at Fremantle Arts Centre</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/5e223ee028ebbe22fce575c3de87f4ffa05bbb2af2144dc6802b43cb2a5850a0/bon scott pablo fan pic_o.jpg</image:loc>
			<image:caption>Pablo, a Bon Scott superfan from Argentina reclines with all his booty in this selfie sent in to the Bon Scott Blog.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/a9550f72bf587b78f96749fc1575726e6f54e8e7da5bd82b884d22ff71381c5b/bon scott singlet hana shimada_o.jpg</image:loc>
			<image:caption>The Bonny Scott - singlet with drawing by Hana Shimada, commissioned for the Bon Scott Blog project</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/93469c611d998a9a237eb5c442187c99359cccf454e418239ddb9842686017a0/bonscott blog article smh_o.jpg</image:loc>
			<image:caption>Article about Bon Scott Blog in Sydney Morning Herald.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/ecb53bd716eba69fabc14d7854403e268b1631e70f920cce59fa20477ab9ba47/bon scott fans slideshow_o.jpg</image:loc>
			<image:caption>Digital flyer for event at the Billy Weston Pool Hall , organised by Lucas Ihlein and photographer Bec Dagnall</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/8c7425f9f6ff942f16bba6b5335174c737d005c6107300fca5c808b610734a71/bonscottblog label_o.jpg</image:loc>
			<image:caption>Custom tag, sewn to each Bon Scott crotch apron.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/ae0f5e6cf712077d9c3114a111aae7e50425d723fadc37211a7b858270b9a110/bonscott visitors map_o.jpg</image:loc>
			<image:caption>Google visitor map for Bon Scott Blog, April 2008. More info here.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/a59086fd642311d0992a61ca9266a5ea5afe6d5a878534de5039cf15e12df892/hamilton hill clan all in_o.jpg</image:loc>
			<image:caption>The Hamilton Hill Clan - 3 generations of fans from one family in Fremantle.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/68b1b2d4b60dd54de045b6b22d516c381cf16694e5b88b9e2e89dd71892f277e/alyssa apron_o.jpg</image:loc>
			<image:caption>Alyssa Evans models the Bon Scott Crotch apron.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/af10436e4483226326a144c2c3aa00b2a6b0ed654e096babc045260d04a671a0/apron stack_o.jpg</image:loc>
			<image:caption>Bon Scott Crotch apron - limited edition - drawing by Hana Shimada</image:caption>
		</image:image>
	</url>
	<url> 
		<loc>https://lucasihlein.net/Framing-Everyday-Experience-Blogging-as-Art</loc> 
		<lastmod>2022-11-27T06:52:36+00:00</lastmod>
		<changefreq>always</changefreq>
		<priority>0.5</priority>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/f05041fbd349e3cf78f17feea9c9518d449cfff1ad9077fdcb5342771781760a/framing-everyday-experience_o.jpg</image:loc>
		</image:image>
	</url>
	<url> 
		<loc>https://lucasihlein.net/Push-and-Pull-Redfern</loc> 
		<lastmod>2025-01-22T10:13:43+00:00</lastmod>
		<changefreq>always</changefreq>
		<priority>0.5</priority>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/b35c9b96036d322cd1a153627b500e36ab7ef062722f6e860ef2ddd504cd2ba5/pushandpull locksmith_o.jpg</image:loc>
			<image:caption>Anneke Jaspers' response to Push and Pull Redfern, Locksmith Project Issue 2, 2009</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/1d5cd04ec088929735a4489e40dbffea3fe9c27e8d67322e90d44f9556a74a32/Screen Shot 2013-09-29 at 7.58.08 PM_o.png</image:loc>
			<image:caption>Push and Pull Redfern timelapse video. View the video here.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/cb8cc59699c63c42ecd6c8cf00f803d2860a3ae58fbb8f06c22d7860c89ba96f/push-pull-panography2-flat-levels-sml1_o.jpg</image:loc>
			<image:caption>Panograph of Locksmith Project Space from the final day of Push and Pull Redfern. Photo by Pat Armstrong. Fullsize image here.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/caec048022bf6006a2a71094f39269b51e50ff042816d68c3094f982649057cd/picture-5_o.png</image:loc>
			<image:caption>Push Puller Keg de Souza has a solitary moment in Push and Pull Redfern</image:caption>
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		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/40fe01859833bff27634730d4a565de459c235972fc0fbd33bcbb4e1f50cbf62/mum-on-the-massage-table_o.jpg</image:loc>
			<image:caption>A sociable moment from Push and Pull Redfern</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/62220f55406ff307afc61cc4658c3bec72a3b67ac6fc5492576f1e3134130deb/zombie-brainz-compute_o.jpg</image:loc>
			<image:caption>Visitors to Push and Pull Redfern playing with string</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/6435a2c296792a7a755f340ab52ac192b49d41bc845b655b4e19f246f06ee83a/zannys-class-aftermodern-sculpture-600x799_o.jpg</image:loc>
			<image:caption>A furniture configuration from Push and Pull Redfern</image:caption>
		</image:image>
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			<image:loc>https://freight.cargo.site/t/original/i/2fc4250f005e1c5fc67d2a09f788ecfcfa7a1665033ce5c42a96c8c9344381ae/push and pull poster pat armstrong_o.png</image:loc>
			<image:caption>Poster for Push and Pull Redfern designed by Pat Armstrong</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/7a7b95c4423ffb757d5ae245f0cef9783e437f5d8e836e559fa75411801cdda6/3570950603_565522c690_o_o.jpg</image:loc>
			<image:caption>Visitors rearrange furniture in Allan Kaprow's 1963 Push and Pull - A furniture Comedy for Hans Hoffman.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/6d0874777825cba4f436853278c32b77fb640418e0b765e419e3c50ebfd4f7f4/3574847296_588ed66eb1_z_o.jpg</image:loc>
			<image:caption>Visitors to the first day of Push and Pull Redfern, Locksmith Project Space, Sydney.</image:caption>
		</image:image>
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			<image:loc>https://freight.cargo.site/t/original/i/f0390b581091f2c4438bbc0f7db2c28efa614f8a07a7382b4b02dddd234a7e66/3574849476_1bcafc29d9_z_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, dressed up as Allan Kaprow, gives a talk at Locksmith Project Space, about Push and Pull.</image:caption>
		</image:image>
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			<image:loc>https://freight.cargo.site/t/original/i/660aec50ed9aeb72153a85a1fc8985a04c075987cc49130703c9de05f9a819b9/3602910584_a3fed7fd16_o_o.jpg</image:loc>
			<image:caption>A moment from Push and Pull Redfern</image:caption>
		</image:image>
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			<image:loc>https://freight.cargo.site/t/original/i/61b79432ccdbb9038e81cd2a4f70ca2f4a56563cfa58654dea4725ee41693008/3602911540_201edfe43c_o_o.jpg</image:loc>
			<image:caption>An upside down moment from Push and Pull Redfern</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/52994208e42cd6b87451dcaff4a0d9054374d674bfcf1345225b92a0440da8ab/Screen Shot 2013-10-07 at 9.15.03 PM_o.png</image:loc>
			<image:caption>Push and Pull - the original typewritten score. Read the whole thing here or here.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/07bad5a62db182a446690316a433dd2620f3add8f7462fc311c2c3e0be679715/Screen Shot 2013-10-07 at 9.26.01 PM_o.png</image:loc>
			<image:caption>Temporary tyre arrangement in Locksmith Project Space for Push and Pull Redfern</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/df55a75b02ff5f34aa611445a3d493977b48d23119dcd9a3007215652310c889/astrid facebook 02_o.jpg</image:loc>
			<image:caption>Facebook update by Astrid Lorange. More here.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/1770d249929b07b0054e632453a9fbe630bc2fb0b43197c480d9f1075b4dcdd4/nick tyres_o.jpg</image:loc>
			<image:caption>Nick Keys loads tyres into Locksmith Project Space for a re-enactment within a re-enactment (Yard)</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/583d88cc355c0c80a8175ab076dafa61cb199403f9d314e773ea05ac49cb8e5b/yellow chairs_o.jpg</image:loc>
			<image:caption>Chair arrangement in window of Locksmith Project Space, Push and Pull Redfern</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/1307ba856e2ffaa401335b9657c7a1f4e314936fb9209a59480446dfbd1b515f/jess t with folder_o.jpg</image:loc>
			<image:caption>Push and Pull punter Jess Tyrell shows the folder with instructions and documentation of previous Push and Pulls, sent by the Allan Kaprow Foundation</image:caption>
		</image:image>
	</url>
	<url> 
		<loc>https://lucasihlein.net/Attending-to-Long-Film-For-Ambient-Light</loc> 
		<lastmod>2022-11-27T07:32:51+00:00</lastmod>
		<changefreq>always</changefreq>
		<priority>0.5</priority>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/ebd86283ad0dbb948b4ab773dc21a9830f7aa700d3e4cc820a67c32c04594cdf/long film dawn_o.jpg</image:loc>
			<image:caption>Dawn at Long Film for Ambient Light, Sydney, March 2007.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/c200489ef396ba3f86ee3e0cddc8e4510ffec6cd34942866288153b8dd510478/long film dusk_o.jpg</image:loc>
			<image:caption>Dusk at Long Film for Ambient Light, Sydney, March 2007</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/cf20a5bac5b0173242a36b165613ac009f2b91187192dec89bef3ab2c212bd93/long film midnight_o.jpg</image:loc>
			<image:caption>Midnight at Long Film for Ambient Light, Sydney, March 2007</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/0d5766f12040576df3fad8465d18075fc8cc07b7b07efbc7280af120e350236d/long film walton_o.jpg</image:loc>
			<image:caption>Mid-afternoon at Long Film for Ambient Light, Sydney, March 2007</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/29a145c0c339bcc8e4bbca36d9e30ca03448e5888be38795dac3f9af6de82a6a/mccall with archive box close up_o.jpg</image:loc>
			<image:caption>archive box of documents produced after Long Film for Ambient Light, Sydney, March 2007</image:caption>
		</image:image>
	</url>
	<url> 
		<loc>https://lucasihlein.net/Wo-man-with-Mirror</loc> 
		<lastmod>2025-04-28T06:06:14+00:00</lastmod>
		<changefreq>always</changefreq>
		<priority>0.5</priority>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/d8eddec54f44d135496a49de11fe8a4d4d913de48620a0166ea72aa50ed58746/apiary talk_o.jpg</image:loc>
			<image:caption>Post-performance discussion at Apiary Studios, June 2013. L-R: Guy Sherwin, Louise Curham, Patti Gaal-Holmes, Kim Knowles, Lucas Ihlein. (Far left: event organiser Sally Golding from Unconscious Archives</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/472eb3531801aa78544368e6963b0957f6e6b434677dba561683a8987d3e37ec/artspace installation_o.jpg</image:loc>
			<image:caption>Teaching and Learning Cinema, (Wo)man with Mirror, installation at IMPRINT exhibition curated by Anneke Jaspers, Artspace, Sydney, 2009 (photo: Silversalt)</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/d5c5e272d6ab70946a9570ac2f282e112e8a41952efbc6bb69110f041e3611a5/diagram woman_o.jpg</image:loc>
			<image:caption>Teaching and Learning Cinema, (Wo)man with Mirror typical performance positions, hand-drawn diagram, 2009</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/bd7e55a3d484886951db2f92d7624dc7d61e3f821afd1884d15e70a5c78a1ab3/guy and louise brisbane_o.jpg</image:loc>
			<image:caption>Guy Sherwin and Louise Curham discuss super 8 projections at IMA, Brisbane, 2008.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/82925926cff6f9dc03562f2e3e6f3b474030dda37f83561d4f3ba0ac9ac3d58e/guy original film_o.jpg</image:loc>
			<image:caption>Guy Sherwin, original super 8 film canister for Man with Mirror</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/8fa5b361d085b6568a83a88bdcbb1cae2ddd333e536d7d9aa99ac56275488542/guy with baby table_o.jpg</image:loc>
			<image:caption>Guy Sherwin demonstrates the choreography of Man with Mirror using his son Kai's baby highchair table top, Brisbane, 2008.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/b2737ae4f01d4a988e799f5f74f376a0512032065d7f4831975265db46854d5c/guys notes from archive_o.jpg</image:loc>
			<image:caption>Guy Sherwin, brief description of Man with Mirror, source: Archives at British Artists Film and Video Study Centre, London.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/bd6cc24fc6a184fb983d6e0b5961af57b4d122fea0c91d1acecf291141ce25b7/louise and val_o.jpg</image:loc>
			<image:caption>Louise Curham practicing (Wo)man with Mirror with her mum, Val, 2009.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/f3c73d6684a13679181e18d36a6614b485bcce7dfd57805721484bed23a6ddc6/louise guy lucas pamphlet_o.jpg</image:loc>
			<image:caption>Louise Curham and Lucas Ihlein in front of poster of Guy Sherwin, IMPRINT exhibition, Artspace, Sydney, 2009</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/7c97a97e5834ce087297d00abf2b5aa4688b7434310cdcfe9072020c3349733b/louise measuring up_o.jpg</image:loc>
			<image:caption>Louise Curham being measured up for her mirror, 2009</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/f338811c71196cab8e57674c0580b9f4de5fa6fe0cb98f64ae6604caa42f5bd5/louise performing_o.jpg</image:loc>
			<image:caption>Louise Curham performing (Wo)man with Mirror, 2009</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/cbaea1ad8d6547dcf0451dc4aac28d0b774425bf789ec6a470deada27fc0d230/louise rehearsing_o.jpg</image:loc>
			<image:caption>Louise Curham shooting (Wo)man with Mirror, 2009</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/d87f38d3263419851294cfc2142949ab8deccca092c5084cc8aacc4448387404/louise splicing our film_o.jpg</image:loc>
			<image:caption>Louise Curham splicing together super 8 film for (Wo)man with Mirror, 2009</image:caption>
		</image:image>
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			<image:loc>https://freight.cargo.site/t/original/i/622fd9300ff5a209e429c08dd68a7efe5558172138f2445e42c56af60b938abb/louise watercolour woman with mirror_o.jpg</image:loc>
			<image:caption>Louise Curham, (Wo)man with Mirror schematics, watercolour paintings, 2009</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/26569dea8d59a7dfd3078cd5108454417af7941bd31e15f469511c12e92d8b74/lucas and owen_o.jpg</image:loc>
			<image:caption>Lucas Ihlein practicing (Wo)man with Mirror with his dad, Owen, 2009</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/5810c33cad0f452003bdde0e385dfea3f8c0e3b3c981561d839489150f689410/lucas measuring up_o.jpg</image:loc>
			<image:caption>Lucas Ihlein being measured up for his mirror, 2009</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/b39fa44455066cd551f36c6f43d33234adedff346d5db7abeb5752cf486d2b1e/lucas performing woman with mirror_o.jpg</image:loc>
			<image:caption>Lucas Ihlein performing  (Wo)man with Mirror, 2009</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/7ff4d04c46b482f5e5ebf4e2fe41ebd907030c6f83d850709043ad63be2103d2/lucas with mirror petersham_o.jpg</image:loc>
			<image:caption>Lucas Ihlein shooting  (Wo)man with Mirror, 2009</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/3215f80a6de5f2323a2c2e05c4c7563132b0de69ca5640586aaa5bfab8cda1bc/preparing at artspace_o.jpg</image:loc>
			<image:caption>Louise Curham and Lucas Ihlein testing technical setup of  (Wo)man with Mirror, 2009</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/acf86729abcbe96de55bf084a32f5ae9672a21e4a19080b1be938b184e9ea262/shooting in sydney park_o.jpg</image:loc>
			<image:caption>Lucas Ihlein and Louise Curham shooting  (Wo)man with Mirror with help from Pete Humble, 2009</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/37f2eb64bd0f0d6e4b43d765e57141f35400706d15ccf229fc57af897a7ca832/super8 films_o.jpg</image:loc>
			<image:caption>(Wo)man with Mirror, rolls of super 8 film, 2009</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/2c3a8a35692176fbe9c1985390190b7b7606f0233ec86ca307f7797ee66dcffa/woman with mirror diagram2_o.jpg</image:loc>
			<image:caption>Guy Sherwin, Man with Mirror diagram, source: Archives at British Artists Film and Video Study Centre, London.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/f949a4f20670fcbfa4cea6516b4b8b36ccad60f33354dbc383864d15ecd1ea57/sherwin man with mirror_o.jpg</image:loc>
			<image:caption>Guy Sherwin, Man with Mirror (1976- ), photographic documentation of Expanded Cinema performance</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/d02e48692dd35393d0df3854dbc2207230bfe05873ee27e5c0c3281c7fb41dcc/Screen Shot 2013-08-04 at 3.14.52 PM_o.png</image:loc>
			<image:caption>Teaching and Learning Cinema, (Wo)man with Mirror: A User's Manual, offset printed publication, 2009</image:caption>
		</image:image>
	</url>
	<url> 
		<loc>https://lucasihlein.net/Bilateral-Adelaide</loc> 
		<lastmod>2022-11-27T07:35:25+00:00</lastmod>
		<changefreq>always</changefreq>
		<priority>0.5</priority>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/80b8eda0e2542560e2f3599412ebc22450d5c15006b92441e8de2ee0c045e910/lucas-in-eaf04a640_o.jpg</image:loc>
			<image:caption>Temporary bedroom in Experimental Art Foundation for exhibition Bilateral (Adelaide), November 2002.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/6837bda5a182ab698559fe97edf40e12fcbb25443f08d10c60f9c3a144f103cd/lucas-in-eaf01b640_o.jpg</image:loc>
			<image:caption>Temporary kitchen/lounge set up by Lucas Ihlein and Jane Simon in the Experimental Art Foundation for exhibition Bilateral (Adelaide), November 2002.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/2769fe873d1561edcafb9ea4a6b55155c41651dda1e1be16273b4d2d3c7763ce/lucas-in-eaf03a640_o.jpg</image:loc>
			<image:caption>Temporary studio/office set up by Lucas Ihlein and Jane Simon in the Experimental Art Foundation for exhibition Bilateral (Adelaide), November 2002.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/b552a445d6dd3d819fd81cf45ebcd593e75dc698bf2c975fd274096078233b33/lucas-in-eaf05a640_o.jpg</image:loc>
			<image:caption>Jane Simon displays typewritten texts contributed by visitors to Experimental Art Foundation for exhibition Bilateral (Adelaide), November 2002.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/1f242542e913ca7bdd8571a2a7e0a1a75fb766eddf95219fedd77cc77641cda8/lucas-in-eaf06a640_o.jpg</image:loc>
			<image:caption>Info blackboard displaying announcements for visitors, and their own messages, Experimental Art Foundation, exhibition Bilateral (Adelaide), November 2002.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/343114da0f48990d9a6e2b3bb40126c01332ec18a872830e759ac706880e2f5e/lucas-in-eaf07a640_o.jpg</image:loc>
			<image:caption>KeyPadPomes, mobile phone SMS project by Lucas Ihlein and Jane Simon, as shown at Experimental Art Foundation for exhibition Bilateral (Adelaide), November 2002.</image:caption>
		</image:image>
	</url>
	<url> 
		<loc>https://lucasihlein.net/Bilateral-Kellerberrin</loc> 
		<lastmod>2022-11-27T07:03:42+00:00</lastmod>
		<changefreq>always</changefreq>
		<priority>0.5</priority>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/c783b326a9395b15eec53d8c261c57b57ca157e85e45faccfdc97777b39a63a6/bk assembly jo debney_o.jpg</image:loc>
			<image:caption>Jo Debney assembles a blog-book at Bilateral Kellerberrin IASKA, 2005</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/49c4a84c9474d3cb126759b8a002dce47e27c79b246e8e7fbd7d4849f053d7cd/bk assembly line_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, Bilateral Kellerberrin installation at IASKA, 2005</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/57007de2e3ff02cd8e7fa8e18d04550ddd380e35a5461d549d43fa1459ffdc80/bk screenshot_o.png</image:loc>
			<image:caption>Lucas Ihlein, Bilateral Kellerberrin, project blog, 2005</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/74056581b2f9b951dda933938d6d315f440ddbd606591da4f7a5e30837e56e1a/keller exterior 2_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, Bilateral Kellerberrin, exterior view of IASKA gallery, 2005</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/4dd981f51b8df98278096a1925a9e31b8d5b1b8744f668cf2a4984904904fd2b/keller exterior_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, Bilateral Kellerberrin, exterior view of IASKA gallery, 2005</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/cd9f068889a70760f9df34d3b560636bf1dbb26dc0ac4134df35b6e2a15dd7bf/keller bin_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, "Spatial Bin Analysis", Bilateral Kellerberrin, 2005</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/a83d187d6aaddc3e95b2084f23e60044983114f83922c0a3af72122c607d1e80/bk gorilla2_o.jpg</image:loc>
			<image:caption>Greg from Baandee North with his Polystyrene Gorilla, Bilateral Kellerberrin, 2005</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/ab863cb91dfbf7a058bcf5a2b70e2259ed98ea5cadff186a3c792229b972cd56/interior keller cinema_o.jpg</image:loc>
			<image:caption>Interior, Aurora Project, Kellerberrin Cinema, 2005 - where Louise Curham and I held our failed screening of Anthony McCall's Line Describing a Cone.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/33a952da1bbeb992e3516b4902146271ac23bfb48fd7a29211e5d5579549c26e/pipeline assembly 2_o.jpg</image:loc>
			<image:caption>Kellerberrin Pipeline newsletter assembly, 2005</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/384439fa8f28b89259c37332652dd7eaa9c509eac1d806d44172a6c3bf6cfb34/pipeline assembly_o.jpg</image:loc>
			<image:caption>Kellerberrin Pipeline newsletter assembly, 2005</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/cf776ed462ee268f32226c80a0ce1bc825009e81c1f8e6cecccda3ae552989f4/kellerberrin-on-a-sunday_o.jpg</image:loc>
			<image:caption>Kellerberrin on a Sunday</image:caption>
		</image:image>
	</url>
	<url> 
		<loc>https://lucasihlein.net/Bilateral-Petersham</loc> 
		<lastmod>2022-11-27T07:35:01+00:00</lastmod>
		<changefreq>always</changefreq>
		<priority>0.5</priority>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/77a83f50c611d5e797c8b4da55a04edb5aed4806d313c73f9eb77a2964dba5c6/sham installation paton_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, Bilateral Petersham, blog-book installation at George Paton Gallery, Melbourne, 2009</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/412c0c74eb73fe8807cf6a97f4e3c0d6e42bb79bdaad082227b94ad2b70e26c2/sham map all locations 640_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, All locations mentioned in Bilateral Petersham, Offset lithograph and pen drawing, 2009</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/9e0212147ff84ba102aa2cbc8ad8ea2145520a1a8630501eec509e93de8ab367/sham map chrissie cotter_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, detail from Petersham eastern border aligned with George Paton Gallery, Offset lithograph and pen drawing, 2009</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/056ae7cde3df2a7fefde4443025820a11bce2135f1952db010db1292c9cee4cc/sham paton 640_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, Bilateral Petersham, blog-book installation at George Paton Gallery, Melbourne, 2009</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/71337db7c108fc75b42e4e5bf07c46da26d6d8e934e6d41bab49c6bc70395fd5/sham paton map wide 800_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, Petersham eastern border aligned with George Paton Gallery, Offset lithograph and pen drawing, 2009</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/bf52e4f81930c2325d4b72edc857ae434d521cbdab011011312a4ba0f6495b7c/smh article 640_o.jpg</image:loc>
			<image:caption>Sunanda Creagh, ""Sham Artist Refuses to Push Boundaries"", Sydney Morning Herald, 19 April 2006.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/0c68e89ef47af7d1d43c25fc4a3b0c8d34fbaf449cb910a9b158b1405aa25a38/sham artspace 02_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, Bilateral Petersham, blog-book installation at Publicity, Artspace, Sydney, 2007</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/57b366f64036e1c559c15deaa5ef43addd9488b9cfb0db02153791854954a1bb/sham artspace01_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, Bilateral Petersham, blog-book installation at Publicity, Artspace, Sydney, 2007</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/6ad2d4ae3cb1cea1eb483e76e3a17ba13bd987097e8b0477ce3b47cac5fb881b/sham artspace greg_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, Bilateral Petersham, blog-book installation at Publicity, Artspace, 2007</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/138d8f5dd39e63fd0af4cdfea525559a3ce2e2dea359ebbb9c8032f4288380a3/sham watertower drawing_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, Petersham Watertower, pencil drawing, 2006</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/1783e482dbd799bc51149397c578b295680e6294aea78389f0d7544cdd54399d/Screen Shot 2013-08-02 at 7.51.40 PM_o.png</image:loc>
			<image:caption>Lucas Ihlein, Bilateral Petersham, project blog screenshot, http://thesham.info, 2006</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/cea71bc2c3a2eeae833c2d30d6b84727e3edfeeb388e8556ded64dd4f54d2aa0/blindfold_o.jpg</image:loc>
			<image:caption>Lucas Ihlein blindfolded for The Great Escape, Bilateral Petersham, 2006.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/c697c627f8a7c043bd219b9bd3fa8cec20b93aede0ed5b68de984b3018b3cf26/cycling with the mayor_o.jpg</image:loc>
			<image:caption>Lucas Ihlein with Marrickville mayor Sam Byrne in The Pedalling Mayor, Bilateral Petersham, 2006</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/c58a2ce8eef6be7ed69ddcbe0fe6e8f33f189112091655997206f6aa933fa78f/east border walk_o.gif</image:loc>
			<image:caption>Lucas Ihlein, The Annotated Eastern Boundary of Petersham, digital map drawing, Bilateral Petersham, 2006</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/d2b4700ce370ef3269bfb3331ac6f4fa217be3c89c5bc54a5ad8cdfd4fe7be1c/glebe article_o.jpg</image:loc>
			<image:caption>Sarah McInerny, "Artist finds a friendly connection in the 'burbs", Glebe and Inner Western Weekly, May 17 2006</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/9340783c504d7b5cd8c13da84593dc735a615339c54562b0a650bf00a8476e30/municipality high_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, Municipality of Petersham (pavement signage), digital photograph, 2006</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/18a68ffa929150b329c9385dcdf9f65fc3f51c254d0ff0a7db1e10188dfb1da1/sham locations detail_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, detail from All locations mentioned in Bilateral Petersham, Offset lithograph and pen drawing, 2009</image:caption>
		</image:image>
	</url>
	<url> 
		<loc>https://lucasihlein.net/GRUFFLING</loc> 
		<lastmod>2022-11-27T07:34:15+00:00</lastmod>
		<changefreq>always</changefreq>
		<priority>0.5</priority>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/b1d056c001004da2fbfc6e28c70a039e60732ac90d6745b0152f1818549dda76/gruffling01_o.jpg</image:loc>
			<image:caption>GRUFFLING title text.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/4b10a0e3cdafed919fc2fb84c7e99192e3739d73884c9094f643a8fe06b899f9/annotated map_o.jpg</image:loc>
			<image:caption>Annotated map of West Brunswick indicating the route of the Great West Brunswick Goat Walk</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/1f58d35d3a5056f3550e013e92e855cdfb0f3d0269b78552638202588aa3e973/bob and lucas_o.jpg</image:loc>
			<image:caption>Lucas walking with Bob the Goat through West Brunswick, photo by Stuart Harrison.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/d80d95d23bc99c072dbd1134f425255643183fd44b4104ad9f0cd14b6c5b78f1/bob and toine_o.jpg</image:loc>
			<image:caption>Toine is led by Bob the Goat to a tasty morsel in somebody's front yard, photo by Stuart Harrison.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/86403aa2b5ca67cce4cd62d10f3f92f16922b98f63f1c8d5c85a4286442b1b15/bob crossing road_o.jpg</image:loc>
			<image:caption>At West Brunswick Sculpture Triennale. The goat walkers cross a main road, photo by Stuart Harrison.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/374a7160cc0b1b8b42ec7c0d665ec1a75936d329b3f3daae379912686d3d4c23/bob in backyard_o.jpg</image:loc>
			<image:caption>After the goat walk, reconvening at the headquarters of the West Brunswick Sculpture Triennale, photo by Stuart Harrison.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/b4c4cd97add7577ea79aa3024c32e5a7f1dc70fe40b4028a5e80fae5a3092c6b/bob pennant_o.jpg</image:loc>
			<image:caption>Pennants representing various contributions to the West Brunswick Sculpture Triennale. GRUFFLING pennant is second from right. Photo by Stuart Harrison.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/cd2f5cea3a7cb521adbe261da9b1fb3cd32ef39429df53bf936f64924fe18ebb/bob shadow_o.jpg</image:loc>
			<image:caption>Afternoon shadow, goat walkers, photo by Stuart Harrison.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/b9dcc8833b2d5d460bfd501e471a0a151e5737cfa3d8555e2beef055cc266ffe/goats on facebook_o.jpg</image:loc>
			<image:caption>Screen grab from facebook documenting chance sighting of urban goat, Sydney, 2011.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/337d574522774b94c60dfb8da6aa9b2955fef021c783417278befa5105ff65d5/the age article_o.jpg</image:loc>
			<image:caption>Penny Modra, article in The Age, Melbourne, about West Brunswick Sculpture Triennale.</image:caption>
		</image:image>
	</url>
	<url> 
		<loc>https://lucasihlein.net/TENDING</loc> 
		<lastmod>2022-11-27T07:33:15+00:00</lastmod>
		<changefreq>always</changefreq>
		<priority>0.5</priority>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/37ff93d604e97eae70bdf32876b9517ee78539c20e392152b31c097d7eb78801/betty bananas feb 2011_o.jpg</image:loc>
			<image:caption>Regular visitor and SCA cafeteria boss Betty tends to the banana trees.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/1ceea4d2e58d309d88156e7b973e01c2d950102898d4a25c0a459d71f09f5435/chalkboard march 2011_o.jpg</image:loc>
			<image:caption>TENDING chalkboard, February 2011.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/95d0feee5bd9cdd77309948ea713a566e92f84cb7d8e82015efe94d401ec5b1b/collecting dirt for trading dirt_o.jpg</image:loc>
			<image:caption>Lucas collects dirt from neighbouring resident, August 2010.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/7c89e3f4a71c24bd49ec0bfe73a691fe85bc456e28366f0614f666228533750e/diego at tending feb 2011_o.jpg</image:loc>
			<image:caption>Diego at TENDING, February 2011.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/9b4b7eb2115b007745e16c98e5708cfdf05ce69edb57e7c72ca8fea676d99588/diego at tending with bananas nov 2010_o.jpg</image:loc>
			<image:caption>Diego plants banana trees at TENDING.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/4e9945445de2282003275603dfefa6d65e3387179845f1b37d8c371d37ea3408/diego speaks to students_o.jpg</image:loc>
			<image:caption>Diego talking to students from Sydney College of the Arts.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/5719f4dc584cd38ae84e5fa971cc9ae34ce38d74eab9a4250747a2561bce16a8/diego with betty_o.jpg</image:loc>
			<image:caption>Diego and Betty discussing sweet potatoes at TENDING.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/493d5bcf38d91293ef89bfb3ce0ba0453ab89ac02f8efd156f17450207c8d9c4/lucas speaks to students_o.jpg</image:loc>
			<image:caption>Lucas talking about "gardening as art" and social processes with students from Sydney College of the Arts.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/ae6c2eb386fe85f51d3f2ed43c87e2b9f98eddc5b56604a548f8038587d91787/lucas with students march 2011_o.jpg</image:loc>
			<image:caption>Lucas talking with students from Sydney College of the Arts</image:caption>
		</image:image>
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			<image:loc>https://freight.cargo.site/t/original/i/e5b2c45c005c9e57bbbca9d86e15a9ea98300500b649058e48fb37f66ce77ae7/makeshift bee cart at tending november 2010_o.jpg</image:loc>
			<image:caption>Mobile native bee cart by Makeshift (Tessa Zettel and Karl Khoe) parked up temporarily at TENDING.</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/87a68d7ded53fe6ffc2015160dd2f94c1f9a7f4677bb1d9dd9477f72f795ecd1/tending august 2010_o.jpg</image:loc>
			<image:caption>Turning the first sod at TENDING, July 2010.</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/a80284821f73539ab3a3b22c8201affa51c52c2982c1f3de598ced8ddbfb8010/tending chalkboard feb 2011_o.jpg</image:loc>
			<image:caption>TENDING chalkboard, November 2010.</image:caption>
		</image:image>
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			<image:loc>https://freight.cargo.site/t/original/i/ed0c731b056ed777490db47cd9cd7fbf39545782775d42a5604747ec1f434387/tending compost sept 2010_o.jpg</image:loc>
			<image:caption>Compost sculpture at TENDING.</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/c1e5824e8411b33e5c1c1afaf8a04c6a9701e0c557eca9225295e5921001ff5d/tending diagram_o.jpg</image:loc>
			<image:caption>TENDING diagram of interactions and products.</image:caption>
		</image:image>
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			<image:loc>https://freight.cargo.site/t/original/i/24d3d171388771c59c91e55793d3d9b01834a427a5c1f58ea2907c63bf22f9cf/tending feb 2010 sign title_o.jpg</image:loc>
			<image:caption>TENDING welcome sign, Sydney College of the Arts.</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/5305e169fa4778bd3d8aaa1f796fb3c181b237ad8df92f7f7b1f961740dd16ee/tending flyer_o.jpg</image:loc>
			<image:caption>Lucas Ihlein and Diego Bonetto, TENDING flyer, November 2010.</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/cf18517cebb7771bb20bddb9be3786e51670110409fc70f177bd64ef083da3e8/tending nearmaps may 11 2011_o.jpg</image:loc>
			<image:caption>Nearmaps aerial photograph of TENDING, May 2011.</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/2c270c5884c5d955d327f9640d5277930f552241d77abd8726a9670ba7bbe488/tending november 2011_o.jpg</image:loc>
			<image:caption>Artist and postgrad student Sarah with her "letters-plants" at TENDING, November 2010.</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/dcef4c126ecce36b1ae1c852b6025b07cfbb6617924861cafbc4a559370120b5/tending students and gardeners dec 2010_o.jpg</image:loc>
			<image:caption>Visitors and gardeners relax and work at TENDING, December 2010.</image:caption>
		</image:image>
	</url>
	<url> 
		<loc>https://lucasihlein.net/Green-Bans-Art-Walk</loc> 
		<lastmod>2025-01-22T10:11:20+00:00</lastmod>
		<changefreq>always</changefreq>
		<priority>0.5</priority>
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			<image:loc>https://freight.cargo.site/t/original/i/3536a5fb78d6fc674e42e3954b4a3a1f9e5bee346ba333c6363511c558950c37/greenbans03_o.jpg</image:loc>
			<image:caption>Green Bans Art Walk self-guided walk publication. Designed by Pat Armstrong, text by Jo Holder, printed by Blood and Thunder, 2011.</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/04f23b8b926e1f626b14079db391f8e95eaeb50ca037d16e22dfb4cc89e9d295/michael davies by lionel_o.jpg</image:loc>
			<image:caption>At the Green Bans exhibition, First Draft Depot. Michael Davies discusses his 'Map Of Fitzroy Ward' 1971, and the social implications of &#38; the genesis of his map project.</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/0ed60925659402384b8e58862365a1351228922b82b76f669711dd85827fa056/ian milliss by lionel_o.jpg</image:loc>
			<image:caption>Ian Milliss speaks on Victoria Street about the history of the collaboration between squatters and the Builders Labourers Federation</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/aa4ecb5a11809f1cb8119c003dfe5857e2757b4e725ea40f6c466738acc8f958/juanita graff by lka_o.jpg</image:loc>
			<image:caption>Juanita stencil art by Mickie Quick and Mini Graff. Photo by Louise Kate Anderson</image:caption>
		</image:image>
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			<image:loc>https://freight.cargo.site/t/original/i/f730dd2bb5951db8f24b314e8de4579b07f982f659fbd6cae5b9401d6814b670/lucas etc at mural by lka_o.jpg</image:loc>
			<image:caption>Green Bans Art Walk, Woolloomooloo, August 2011. Photo by Louise Kate Anderson</image:caption>
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		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/c69dbf1986407c2dea89b9072685b880b3b6401d9ac97e92ca82c7ae5121abd2/mick fowler plaque by louise kate anderson_o.jpg</image:loc>
			<image:caption>Memorial Plaque to Mick Fowler, Victoria St, Darlinghurst. Photo by Louise Kate Anderson</image:caption>
		</image:image>
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			<image:loc>https://freight.cargo.site/t/original/i/b2c4fa85e0540c62bf856d6e9c9004804deda281e66a05e30ba46b5f6ec52590/christopher dean etc by louise kate anderson_o.jpg</image:loc>
			<image:caption>Green Bans Art Walk, Woolloomooloo, August 2011. Photo by Louise Kate Anderson</image:caption>
		</image:image>
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			<image:loc>https://freight.cargo.site/t/original/i/1bf320b136c25e77f7f3d9984f07e21907e421844b52d6f89e228c3621716d2b/jack mundy by mickie quick_o.jpg</image:loc>
			<image:caption>Jack Mundey in Woolloomooloo during the development phase of Green Bans Art Walk. Photo by Mickie Quick</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/4936385a21b3cb5a871c87b726911f07cef0164ac887a70d1fb586aacb3e3fe4/fiona mcdonald print red_o.jpg</image:loc>
			<image:caption>Fiona MacDonald, 'Victoria St: Mick Fowler's Jazz Funeral, 1979; Eviction of 115 Victoria St, 1974', 2011. Offset Lithograph, printed on Big Fag Press</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/752a55717e98d29cecd3136364a3909893d2d839d4246f9c8c2f76bf09a1a7b0/artistsPanorama02_o.jpg</image:loc>
			<image:caption>Some of the Green Bans Art Walk protagonists. Jo Holder, Michelle Blakeney, Stacey Miers, Joe Owens (former secretary BLF), Pat Armstrong, Marion Marrison, Mickey Quick, Fiona MacDonald, Emma Elder (front in hat), Lucas Ihlein, Ian Millis, Louise Anderson (front), Jim Donovan (former secretary Woolloomooloo Residents Action Group, secretary WWF Sydney Branch), Christoper Dean. And more …</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/b0b0c598f2d630517d13200a08ccf77029268c16c0353396071b4c23d2874594/green bans article nicholas jordan_o.jpg</image:loc>
			<image:caption>Article by Nicholas Jordan, Green Bans Anniversary Looks to the Future, City News, 11 August 2011.</image:caption>
		</image:image>
	</url>
	<url> 
		<loc>https://lucasihlein.net/Environmental-Audit</loc> 
		<lastmod>2025-01-22T10:10:19+00:00</lastmod>
		<changefreq>always</changefreq>
		<priority>0.5</priority>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/f674e123121027a090bcc584292d515d2ece5cf4d7bc60f28fa88f15df137e35/makeshift print contrast_o.jpg</image:loc>
			<image:caption>Lucas Ihlein (with Tessa Zettel and Karl Khoe), Makeshift Audit , Offset Lithographic Print, 2010</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/27085522afd36c10b225867f15058a41e4304cfedb98c16755fd4e14c9b6782e/what is an audit print640_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, What is an Audit?, Offset Lithographic Print, 2010</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/abb5d146bc8772871aa122a0f0c8bf656a43d3b76bbc7cda5159010b20498bcb/photocopy audit print_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, Flora and Amy's Photocopy Audit, Offset Lithographic Print, 2013</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/3d39ed6b07fcaf755ed581752969ad3820c7917f9b12e7ecded40ba98addd4c2/artist as family print_o.jpg</image:loc>
			<image:caption>Lucas Ihlein (with Patrick Jones and Meg Uhlman), Artist as Family Food and Energy Relocalisation Map , 2010.</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/a4ce6d7b30cb173a6b0ec0bc59ea110c6249c1c1cde64e31f78cae6789aa2106/future farmers_o.jpg</image:loc>
			<image:caption>Lucas Ihlein with FutureFarmers, The FutureFarmers Present The Sunshine Still (At What Cost?), Offset Lithographic Print, 2010</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/adc484d6dcd326662c71a5623a948d5e07f426e053efe34074712751903f22d4/ins and outs_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, The Ins and Outs of an Art Work on Show in the Museum, Offset Lithographic Print, 2010 (see fullsize image here)</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/403f2dfcba9ba9144feef2c9c1f4e80a736f8e6647a477883f7412019835e170/power usage 1_o.jpg</image:loc>
			<image:caption>Lucas Ihlein with Louise Anderson, The Great 3rd Floor Power Usage Audit, Offset Lithographic Print,</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/1763753c882ca92e09e52083ea9b05b10f76c9203eea9987bf8032c1f4f8c7c0/power usage_o.jpg</image:loc>
			<image:caption>Lucas Ihlein with Louise Anderson, MCA Power Audit Calculations, Offset Lithographic Print, 2010</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/0604869b336db12c513bce8e752531e09b8083b7dd594d17a66126b5ca20a4de/audit blackboard_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, Auditing the Audit, detail from Environmental Audit, installation, In the Balance, MCA, 2010.</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/515127d146258b9da87d2f498e8e06eb6a7d42dc93292c88c48ca3178ee4d948/audit installation office_o.jpg</image:loc>
			<image:caption>Lucas Ihlein working on Environmental Audit, In the Balance, MCA, Sydney 2010</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/b6f2fcb16be997879223a3d43bec113b71308f7b0617ebc1e2797bd4bd348327/audit room installation_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, Environmental Audit, installation In the Balance, MCA, Sydney 2010.</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/2b0c296f9fc2a41ea88f03b8c1ca79ef08294d32afe62d5b876ef4a88f3e2879/bottom line_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, Environmental Audit, installation (detail) In the Balance, MCA, Sydney 2010.</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/563d00b8dd0b6f7ffd0367749c71c6fa7d22523d2cecc98bcdb5035688403c18/environment committee_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, MCA Environment Committee Structures, hand-drawn diagram, 2010</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/f9198b52cbe5f26c0d73faf45768299635ea67873a87f967fd3bf7f0f2b329ea/evaluation_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, What is an Audit (detail), offset lithographic print, 2010</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/874b88c79a73f75a47da9bf5bc3fe7b5c84e8482fc21485db06185d2b724dace/futurefarmers at work_o.jpg</image:loc>
			<image:caption>Ian and Dan from FutureFarmers working on the audit of their Sunshine Still project, In the Balance, 2010.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/4d89cc93237a649da78f61ee5c5ca32aa724002134a855b81e3d6c22eaca959d/installation at monash_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, installation of Environmental Audit at MADA Gallery, Monash University, Melbourne, 2013 (photo Tim Gresham.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/f4ac7b987d4b14c8ac84cbda8129f51d2bf3d7fa9910ac80431b8d9c00cd9e59/karl and tessa at work_o.jpg</image:loc>
			<image:caption>Makeshift (Karl Khoe and Tessa Zettel) working on an audit of their project for In the Balance, 2010.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/9cf117141aac6da9d28a6702f072a3e60cc4bee84efbdcbd7f98cf623f4b59b8/karl and tessa with lucas_o.jpg</image:loc>
			<image:caption>Lucas Ihlein works with (Makeshift) Tessa Zettel and Karl Khoe on an audit of their project for In the Balance, 2010.</image:caption>
		</image:image>
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			<image:loc>https://freight.cargo.site/t/original/i/a33dbf034e33cd118b5abb90824885b2412b5a362bc08d2a58562e16771fbf9c/lucas and louise in office_o.jpg</image:loc>
			<image:caption>Lucas Ihlein with collaborator Louise Anderson conducting the 3rd Floor Lighting and Power Audit, MCA, Sydney, 2010.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/08ccaa501081425ebfe94544aa1c6369b0f79b0284e8af6c44ffb78ce755ad9c/lucas and pat at big fag_o.jpg</image:loc>
			<image:caption>Lucas Ihlein and designer/printer Pat Armstrong at Big Fag Press producing offset lithographic prints for Environmental Audit, 2010.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/2da3bca8fc597a984a311ddae93ad88dd8ae8ce5ab8c4333396e196b04a40e78/tafe group visits the audit room_o.jpg</image:loc>
			<image:caption>Lucas Ihlein discusses ecological ethics with a visiting TAFE group, Environmental Audit, MCA, Sydney, 2010.</image:caption>
		</image:image>
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			<image:loc>https://freight.cargo.site/t/original/i/9e85dcbb786a94c1a4337e4aff518b20722846b97510890ef96e960c07be14d1/title slide_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, Environmental Audit Balance Diagram, chalkboard drawing, 2010.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/cabf602ac772b230efae4f85366bf7a7a08f29dac0a0ce395d7354e9d0be1e21/what can be included_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, Environmental Audit, installation at MCA, Sydney (detail) offset lithographic print and chalkboard drawing, 2010.</image:caption>
		</image:image>
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			<image:loc>https://freight.cargo.site/t/original/i/802248867982194d44529b56e04d28be3a1a8186de27700139e3b57ee3796a50/peter garrett_o.jpg</image:loc>
			<image:caption>Lucas Ihlein (right) with artist Peter Woodford-Smith and then-Minister for the Environment Peter Garrett at the MCA, Sydney, 2010.</image:caption>
		</image:image>
	</url>
	<url> 
		<loc>https://lucasihlein.net/Guangzhou-Delta-Haiku</loc> 
		<lastmod>2022-11-27T06:16:48+00:00</lastmod>
		<changefreq>always</changefreq>
		<priority>0.5</priority>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/f452881df566bffddc5930f476cf6f112da47a2d689738a96a905f6aae083437/IMG_1349_9.jpg</image:loc>
			<image:caption>Lucas Ihlein, Guangzhou Delta Haiku, detail of installation at 4A Centre for Contemporary Asian Art, Sydney, 2016.</image:caption>
		</image:image>
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			<image:loc>https://freight.cargo.site/t/original/i/9b67a63aff50610b4bb5777c261055c54be700cdb3f5396bc72bc8665cc2a758/4a_August_DP_72dpi-7.jpg</image:loc>
			<image:caption>Lucas Ihlein, Guangzhou Delta Haiku: Pearl River Delta Sea Level Rise Maps, detail of installation at 4A Centre for Contemporary Asian Art, Sydney, 2016.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/4a79f2c899a964533c04033b5cc61fdf6d93c074397f255b880b6c728fe2d7d5/4a_August_DP_72dpi-9.jpg</image:loc>
			<image:caption>Lucas Ihlein, Guangzhou Delta Haiku: Pearl River Delta Sea Level Rise Maps, detail of installation at 4A Centre for Contemporary Asian Art, Sydney, 2016.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/82319cb27194dd4cfd7d81f58dad7576c0ff3da5709e967fff6ffaa803c26835/4a_August_DP_72dpi-19.jpg</image:loc>
			<image:caption>Lucas Ihlein, Guangzhou Delta Haiku: Haiku Couplets, detail of installation at 4A Centre for Contemporary Asian Art, Sydney, 2016.</image:caption>
		</image:image>
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			<image:loc>https://freight.cargo.site/t/original/i/834cc4ac1822ed79c837f116a7b1d5a84c6a5e5cb69e58c775febbe37a2fd05e/4a_August_DP_72dpi-27.jpg</image:loc>
			<image:caption>Lucas Ihlein, Guangzhou Delta Haiku: Talking about Rice While Eating Rice, detail of installation at 4A Centre for Contemporary Asian Art, Sydney, 2016.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/14d17897ec09c09b003cdf5d3a1191fea1d1ecfd76d410b2ee9b36f8c52211b0/4a_August_DP_72dpi-28.jpg</image:loc>
			<image:caption>Lucas Ihlein, Guangzhou Delta Haiku: Haiku Couplets, detail of installation at 4A Centre for Contemporary Asian Art, Sydney, 2016.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/af739c0ae817b7afbd424b1ff646ba0e492eb39e5aa195525a85e9d89a582b07/30609535652_caa98a44ba_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, Guangzhou Delta Haiku: Haiku Couplets, detail of installation at 4A Centre for Contemporary Asian Art, Sydney, 2016.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/ddadcd5e9bc7786a55057922350a0cbd8fd6dd9c55afbd8aad7ad46f63092bbe/30609536032_53afd823a2_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, Guangzhou Delta Haiku: Haiku Couplets, detail of installation at 4A Centre for Contemporary Asian Art, Sydney, 2016.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/fcd9beabaee19731fb28793b652bcd46101523ea2d8cb892c8b8da54d17bd7b7/30609535902_ab7533d986_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, Guangzhou Delta Haiku: Haiku Couplets, detail of installation at 4A Centre for Contemporary Asian Art, Sydney, 2016.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/bfb3727efc78fa304705ed260b746599d43a1f4b154eec577d9f204bd2e16ec2/30726546175_379941d1eb_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, Guangzhou Delta Haiku: Haiku Couplets, detail of installation at 4A Centre for Contemporary Asian Art, Sydney, 2016.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/5dd7a43e3a66819b6861d0560f49dcaed45ea7211c2ba9aab488b0b143d95d27/30609536392_2bb9526ea8_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, Guangzhou Delta Haiku: Haiku Couplets, detail of installation at 4A Centre for Contemporary Asian Art, Sydney, 2016.</image:caption>
		</image:image>
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			<image:loc>https://freight.cargo.site/t/original/i/4b2aa14171c409bb28c5b5314010767440ee96852b2cdc1802039805f6ee9f69/30689519816_fdbc8f6bea_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, Guangzhou Delta Haiku: Haiku Couplets, detail of installation at 4A Centre for Contemporary Asian Art, Sydney, 2016.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/88c487454f68d3d5afafe1c6abb17a5ac45ee00a186d28381793d51ccf128377/30609536782_83981be937_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, Guangzhou Delta Haiku: Haiku Couplets, detail of installation at 4A Centre for Contemporary Asian Art, Sydney, 2016.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/4f98473737288d6da7979fd6c1c38bb0981a7b98016433015660d1b284877196/30093943494_17d74b320d_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, Guangzhou Delta Haiku: Haiku Couplets, detail of installation at 4A Centre for Contemporary Asian Art, Sydney, 2016.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/66ce4ca4729b4981f5ef55876dffccc25f7eb2e5c9f4df484121d55437397c93/30689520696_46c6c5924b_o.jpg</image:loc>
			<image:caption>Lucas Ihlein, Guangzhou Delta Haiku: Haiku Couplets, detail of installation at 4A Centre for Contemporary Asian Art, Sydney, 2016.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/a90ba725ce21773d3550305b7f0d1c5245b93640f30a11fb87aab85211eadb76/guangzhou-flood-map-0m-theresa-photo-medium.jpeg</image:loc>
			<image:caption>Lucas Ihlein, Guangzhou Delta Haiku: Pearl River Delta Sea Level Rise Maps - Light blue colour indicates land already below sea level, screenprint on paper, 2016.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/36bee459a24cc38999c1fb1ade3a1f81de5b7ea28bd2eed845be95c819d62e1f/guangzhou-flood-map-1m-theresa-photo-medium.jpeg</image:loc>
			<image:caption>Lucas Ihlein, Guangzhou Delta Haiku: Pearl River Delta Sea Level Rise Maps - Light blue colour indicates possible extent of 1 metre sea level rise, screenprint on paper, 2016.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/cc0168be8eea20d2045431b377c04b6c78656018f3de83b6a2cfb31158b66e0e/guangzhou-flood-map-5m-theresa-photo-medium.jpeg</image:loc>
			<image:caption>Lucas Ihlein, Guangzhou Delta Haiku: Pearl River Delta Sea Level Rise Maps - Light blue colour indicates possible extent of 5 metre sea level rise, screenprint on paper, 2016.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/08c7c910fa6eebfdb71603bd5c47e9276d0fcf6661fc55fe0c93c2717e413469/haizhu-flood-map-0m-theresa-photo-medium.jpeg</image:loc>
			<image:caption>Lucas Ihlein, Guangzhou Delta Haiku: Haizhu Sea Level Rise Maps - Light blue colour indicates land already below sea level, screenprint on paper, 2016.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/0702ed00a678360625b2bb98d6e2c73c7b8860c6a4bbf18914d68874423b7114/haizhu-flood-map-1m-theresa-photo-medium.jpeg</image:loc>
			<image:caption>Lucas Ihlein, Guangzhou Delta Haiku: Pearl River Delta Sea Level Rise Maps - Light blue colour indicates possible extent of 1 metre sea level rise scenario, screenprint on paper, 2016.</image:caption>
		</image:image>
	</url>
	<url> 
		<loc>https://lucasihlein.net/Talking-about-Rice-While-Eating-Rice</loc> 
		<lastmod>2022-11-27T06:14:00+00:00</lastmod>
		<changefreq>always</changefreq>
		<priority>0.5</priority>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/1454bc7d6ab561bcb255471b7387f2d8c625b59f5263e2fd3d8a54f9c2226a3c/01.jpg</image:loc>
			<image:caption>Rice paddies, Northern Guangdong, China</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/ca8ffb78ea925f1e59f463967889806b2e8cf0b06dd4ee49b4f03df4083b2721/02.jpg</image:loc>
			<image:caption>Linda Tan working in her rice field, Xiangyang village, Northern Guangdong, China</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/2e17ecdb850e3911dcf2cc0dc86fe3e127db202ff668f5b25c8ad8bdc8d08fa6/03.jpg</image:loc>
			<image:caption>Shovel and Hoe - traditional tools for rice farming, still current in China</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/3a5a266d14cf2dcaa698c203c5d7b5767626e427608bbd8d5bf8fda7ce6196e6/04.jpg</image:loc>
			<image:caption>Linda Tan patches a leakage in the paddy wall using mud and matted grass weeds</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/268dbf91fb7b2efe850e00884141841a8f21d0c52554d48ea583e16e14547829/05.jpg</image:loc>
			<image:caption>Linda Tan's map showing water flows from one rice field to another</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/7e07015fcd5ae80d72d8acba0874587173084b09852499aea163a6a77537a335/27238400650_7b2a47be84_h.jpg</image:loc>
			<image:caption>Ducks in the rice paddies - add fertiliser, eat snails, provide eggs and meat</image:caption>
		</image:image>
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			<image:loc>https://freight.cargo.site/t/original/i/c151fc78f61bd9a2b09daeb92b092f1d67bc580f1385c8e6c9f666bdd8322037/27480030496_2c417c4499_h.jpg</image:loc>
			<image:caption>Young rice plants growing in the paddies, Northern Guangdong, China</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/e9f913223ebff0b378b4d6df29e5a05345ef348a08e6e6ec557a6010ee650f14/eshya-01.jpg</image:loc>
			<image:caption>Eshya consults on pesticide use with farming supplies agent</image:caption>
		</image:image>
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			<image:loc>https://freight.cargo.site/t/original/i/6f61cd522ef6bb693b0baf5c14b3e6a352e036e673dc2db89817a252379c464d/eshya-02.jpg</image:loc>
			<image:caption>Eshya and ShuHao spending an evening with farming family in Xiangyang village</image:caption>
		</image:image>
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			<image:loc>https://freight.cargo.site/t/original/i/1bb1cab53f9ecedda4eb598f664d6752354c43b96e67d14b288425239afcfc48/shu-hao-01.jpg</image:loc>
			<image:caption>ShuHao photographing insects</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/75958ab6e128306d246a673ac74d1607972f9a039168c55f38fa953ff01f5f5e/shu-hao-02.jpg</image:loc>
			<image:caption>ShuHao's photo of Paratrachelophorus longicornis</image:caption>
		</image:image>
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			<image:loc>https://freight.cargo.site/t/original/i/644f35ea37edf002534f7d62dacff9e4ae568fa1b737941730e46bc3b38d8ce9/_DSC1960.JPG</image:loc>
			<image:caption>Randall Organic Rice Farm</image:caption>
		</image:image>
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			<image:loc>https://freight.cargo.site/t/original/i/b40d3d400e31bbf3e1ed717db31762758583aca52a8afb719c0ead539b045485/_DSC1985.JPG</image:loc>
			<image:caption>Randall Organic Rice Farm</image:caption>
		</image:image>
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			<image:loc>https://freight.cargo.site/t/original/i/29fb4bd0963abd99ce621df2614d05a4b78664433da838bf73ecf7cde069afdc/_DSC1994.JPG</image:loc>
			<image:caption>Randall Organic Rice Farm</image:caption>
		</image:image>
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			<image:loc>https://freight.cargo.site/t/original/i/9c46c504b6d741d10afd01c25421ca15c459547efa9927ed842a7134a15ae316/415012_273934582663581_1647976516_o.jpg</image:loc>
			<image:caption>Randall Organic Rice Farm</image:caption>
		</image:image>
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			<image:loc>https://freight.cargo.site/t/original/i/d7726b8d0af86d22accefe7128ce4b0dc85a73bcc82e221c9686eae11c60c470/734984_1065979360125762_3646984752330318217_n.jpg</image:loc>
			<image:caption>Randall Organic Rice Farm</image:caption>
		</image:image>
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			<image:loc>https://freight.cargo.site/t/original/i/f55e040747102b7e9e4c0678688ee026230eb53a4ab987292a4091b12fc1f996/903487_515622435161460_1535703861_o.jpg</image:loc>
			<image:caption>Randall Organic Rice Farm</image:caption>
		</image:image>
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			<image:loc>https://freight.cargo.site/t/original/i/656a750b767a07e4aca8ecaf6c53ce4ea06bc97e63668dbf86321bed4100440d/1391440_610796062310763_1182902767_n.jpg</image:loc>
			<image:caption>Randall Organic Rice Farm</image:caption>
		</image:image>
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			<image:loc>https://freight.cargo.site/t/original/i/6206b5534a30981a1334b357bdd58aa34025be626b900e44db5c6ca3df83a2f8/12832571_1078454008878297_7439496828217135538_n.jpg</image:loc>
			<image:caption>Randall Organic Rice Farm</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/d81a1b390a579a441e1a3db8134ea3fe477f1bd1bc0509f1402c4e156e5c4a72/13006520_1090588874331477_2997061560048836032_n.jpg</image:loc>
			<image:caption>Randall Organic Rice Farm</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/58f23ce841558e306e08d8600dab08210aad1180dd99c54ba567d436fc09ad89/13220865_1109835525740145_1470806046868453976_n.png</image:loc>
			<image:caption>Randall Organic Rice Farm</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/efdd93c10c4b8db967c12fb1f7d380ffdae8a31cb0543306c677cd620653c462/IMG_20150415_162737.jpg</image:loc>
			<image:caption>Randall Organic Rice Farm</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/21a10038eb084e13feb9b3a4504ff7bc47f615b50834a3f168b7d264c632b98e/IMG_20150415_163248.jpg</image:loc>
			<image:caption>Randall Organic Rice Farm</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/874c9a230f5e43c5b3c9a1d5c60f2008834608156517009af98f2a42b1712bf4/IMG_20150415_164135.jpg</image:loc>
			<image:caption>Randall Organic Rice Farm</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/6fbd384d527819238eef250c43ef58438a96b31a29f359eddd88ca570f2ef11d/IMG_20150415_165006.jpg</image:loc>
			<image:caption>Randall Organic Rice Farm</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/8354e50c2c353ebae81a62535016e2df931b8acf2414f0f4f6f22434c37200ed/IMG_20160225_142801.jpg</image:loc>
			<image:caption>Randall Organic Rice Farm</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/1d7149305b969bc83044ed75d0811dfdd635caaed8c9e5e3d0c5abc2e0333884/IMG_20160226_145602.jpg</image:loc>
			<image:caption>Randall Organic Rice Farm</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/aa3aafa646bdc3f36748e0d113f1c188ceec422a29e53ad130599f8c404e0a2f/rice-IMG_8164.jpg</image:loc>
			<image:caption>Vic McEwan, Night of Wonder, Coleambally Sun Rice Mill, Western Riverina, NSW</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/b5848dfdfea42c486c1bd22cb3e966f82b72affd55ee063e591267e0512cbca1/rice-IMG_8209.jpg</image:loc>
			<image:caption>Vic McEwan, Night of Wonder, Coleambally Sun Rice Mill, Western Riverina, NSW</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/46b0a772fa5feec5e5f07372bf957387dc9e36def2b5239372fc68b9c81ef679/rice.jpg</image:loc>
			<image:caption>Vic McEwan, Night of Wonder, Coleambally Sun Rice Mill, Western Riverina, NSW</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/b0e3368537c745836aaf87059bd945fc4585b87a70dce28f544769564b5382d5/Screen-Shot-2016-08-11-at-9.09.34-am.png</image:loc>
			<image:caption>Vic McEwan, Night of Wonder, Coleambally Sun Rice Mill, Western Riverina, NSW</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/4940d053518dcf74323b8823fd627276e8246487a424710c7a006dba9297df01/4a_August_DP_72dpi-27.jpg</image:loc>
			<image:caption>Lucas Ihlein, Guangzhou Delta Haiku: Talking about Rice While Eating Rice, detail of installation at 4A Centre for Contemporary Asian Art, Sydney, 2016.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/180ed5ca6bc2671a75040363027be975daa1be943e1f9b0f78de32b824426931/4a_August_DP_72dpi-28.jpg</image:loc>
			<image:caption>Lucas Ihlein, Guangzhou Delta Haiku: Haiku Couplets, detail of installation at 4A Centre for Contemporary Asian Art, Sydney, 2016.</image:caption>
		</image:image>
	</url>
	<url> 
		<loc>https://lucasihlein.net/Yeomans-Project</loc> 
		<lastmod>2025-01-22T10:08:55+00:00</lastmod>
		<changefreq>always</changefreq>
		<priority>0.5</priority>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/104e7587529e42f6c32e7869da82cf2725c83a835b1786405a2abd8db4412afa/yeomansprint01_640_o.jpg</image:loc>
			<image:caption>Ian Milliss and Lucas Ihlein, Ian Milliss Interviewed by Lucas Ihlein Offset Lithographic Print</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/3e35f6def3e918278b1e1ed759338f20191c7c049825463826b052fa041c3760/yeomansprint02_640_o.jpg</image:loc>
			<image:caption>Ian Milliss and Lucas Ihlein, Lucas Ihlein interviewed by Ian Miliiss Offset Lithographic Print</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/2c47e7d92943db179e568efe7009edbb4783975059eab5ee774a9c383d814e18/yeomansprint04_640_o.jpg</image:loc>
			<image:caption>Ian Milliss and Lucas Ihlein, Aerial View of Nevallan, Offset Lithographic Print</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/3208a712665248c9e4592834d41b1a8e6ecee4a956a3ad461746b2ee0576bc53/yeomansprint06_640_o.jpg</image:loc>
			<image:caption>Ian Milliss and Lucas Ihlein, PA Yeomans - A Social Ecology Perspective based on discussions with Stuart Hill Offset Lithographic Print</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/55c97616499c64d676de09ab66e496223fbbea3f2474e04c4b0806307d628b85/yeomans_agnsw_trustees_640_o.jpg</image:loc>
			<image:caption>Ian Milliss' original project proposal to Art Gallery of NSW, from AGNSW Trustees Minutes Book, 1975</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/ee278f8a6ea4e5161bffd1e7b0851cf581bff0fe1847d86846600b228a9ac407/yeomans_bigfag_lucas_640_o.jpg</image:loc>
			<image:caption>Lucas Ihlein printing Yeomans Project offset lithographs at Big Fag Press, August 2011</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/3f01f6f9ca45594ad538aea836fdba76fceb6180ab31ad384160e849b38d0efe/yeomans_ian_at_conference_640_o.jpg</image:loc>
			<image:caption>Ian Milliss presenting at Re-Programming the Museum conference, AGNSW, 2011</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/5f88fadbc192780dca94b882e36e692e318e3b9553a45e628e71310123faed2e/yeomans_taranaki_01_640_o.jpg</image:loc>
			<image:caption>Ben Falloon demonstrating water flows at Taranaki Farm during Field Trip, October 2011</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/9dfeb5619bd4770f370575d2d2036d16506cc04df2def8c71328bd076d6477c5/yeomans_taranaki_02_640_o.jpg</image:loc>
			<image:caption>Ian Milliss and Ben Falloon speaking at Taranaki Farm during Field Trip, October 2011</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/07d7b084b0edd8252c030c969c3ed4ec0151cc8f83e3471436a9eff024a8183d/11_Ilhein-Milliss_ACCA8_o.jpg</image:loc>
			<image:caption>The Yeomans Project Installation at Power to the People, ACCA, Melbourne, October 2011 (photo Christian Capurro)</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/f27202e86b0aaf44087a4223741797360020620208e3eb866d601c796f45268e/11_Ilhein-Milliss_ACCA5_o.jpg</image:loc>
			<image:caption>Yeomans commercial logo from the 1960s, reproduced as vinyl signage for exhibition at ACCA</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/f764f8c9c0a81fe990ab00db7d28a6b423cba15c0312d8016be1abe5f8fbc600/yeomansprint03_640_o.jpg</image:loc>
			<image:caption>Ian Milliss and Lucas Ihlein, Contour Map Offset Lithographic Print</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/3b5d4713bde56a7a86f4c84f5059b676976b5b23ab20814b3103e8fb1a75eebe/yeomansprint05_640_o.jpg</image:loc>
			<image:caption>Ian Milliss and Lucas Ihlein, New Chisel Plow Shank (Yeomans Advertisement) Offset Lithographic Print</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/eb75d51db2ec023c49b04ce6e1ac1dfce9b59572be48717c32e7788a70b0952b/yeomansprint07_640_o.jpg</image:loc>
			<image:caption>detail from Ian Milliss and Lucas Ihlein, Contour Map Offset Lithographic Print</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/308be368aee17832df6e325435047f156d1ba5438cb7e5ec9d97a2271169068d/14511909857_b983b40b0b_h_o.jpg</image:loc>
			<image:caption>Installation of The Yeomans Project at Art Gallery of NSW, 2013-14</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/b4ddd8276432f00bc59e7b4ca0f33eb02a7ca6dd855b08d9609e44f5dafc9456/14675366196_d13cc658e7_h_o.jpg</image:loc>
			<image:caption>Installation of The Yeomans Project at Art Gallery of NSW, 2013-14</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/f191e75443a6444656170ca73ecd655d732dc54a77b3518f33f3499c13eba5c6/14696037444_6d50cb2937_h_o.jpg</image:loc>
			<image:caption>Installation of The Yeomans Project at Art Gallery of NSW, 2013-14</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/7f7b75324dd48abc0f10c3d23aa71e4900e534fcfd7348e7db30d9ea7bd504b5/14698205722_53ef5c3886_h_o.jpg</image:loc>
			<image:caption>Installation of The Yeomans Project at Art Gallery of NSW, 2013-14</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/086d2b777fe4e8a3d29b94e483fbf5670f7cd86d0fa9e466516185cc069eb0aa/14718340133_3c02964d22_h_o.jpg</image:loc>
			<image:caption>Installation of The Yeomans Project at Art Gallery of NSW, 2013-14</image:caption>
		</image:image>
	</url>
	<url> 
		<loc>https://lucasihlein.net/Diagrammatic</loc> 
		<lastmod>2022-11-28T04:45:02+00:00</lastmod>
		<changefreq>always</changefreq>
		<priority>0.5</priority>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/0f2a4abb17dce81cba9b56796dca67a41889dae67ad13a64c5f68d1f5f27eba7/40916889201_3a224df73f_o.jpg</image:loc>
		</image:image>
	</url>
	<url> 
		<loc>https://lucasihlein.net/Walking-Upstream-Waterways-of-the-Illawarra</loc> 
		<lastmod>2022-11-27T06:11:09+00:00</lastmod>
		<changefreq>always</changefreq>
		<priority>0.5</priority>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/293cda9b448c5f5ee4d72e4ff813fb9c097745b958a61572eb2531b6403c785d/15706947514_0559c4f16a_k.jpg</image:loc>
			<image:caption>Drain, Byarong Creek</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/13dbb639cef1106f5f1ef24177c24b2310480191205f163747d6413bd2d1ca2e/15706949594_657b0f843e_k.jpg</image:loc>
			<image:caption>Drain, Byarong Creek</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/2b2fb8192e5dccf48ecb901c1299f52e90b60e81a8700cd6b28ac56bf7c8cf9f/15706950654_50aa9a20c0_k.jpg</image:loc>
			<image:caption>Abandoned shopping trolley, Byarong Creek</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/3d499ed9518f49eb361115ec24e5ca1a65fe9b3e8aa9ebdb59c2379700ff602c/15709462273_7c52e3bd14_k.jpg</image:loc>
			<image:caption>International Football, Byarong Creek</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/2cd4255c032b38e7ddc6bca8ad1d6b8f3ec4a08254bb8717d808de77e49e515a/16141800878_dd5d68c031_k.jpg</image:loc>
			<image:caption>Flow, Byarong Creek</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/4fd4ea4a44875a15944539168c3a58b2ad4fcd738b46bde0274f19dd7f1b69c0/16143174329_70bcb11b01_k.jpg</image:loc>
			<image:caption>Upper Reaches, Byarong Creek</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/b9f2ffb914c431329c8c1ef08507b94eb1c49c91f5064a9f42be5a4385624dba/16143180309_7d5d0e350c_k.jpg</image:loc>
			<image:caption>Dog on concrete, Byarong Creek</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/c680cf250c77429a7c1ea78e248faff449d08051a3d7c0eb2fd587b9d9dbd1c4/16143485367_c7ba801c0f_k.jpg</image:loc>
			<image:caption>Mysterious Plums, Upper Reaches of Byarong Creek</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/9d70ceb93e35a1653207ccf973c742eea47463fb46c1e715c36160d9fe04df73/16143489327_de90b08b40_k.jpg</image:loc>
			<image:caption>Drain, Byarong Creek</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/08955de9f10338bc0ccb8054d278566edfccf6d421949684cb6e83cab5268863/16143490157_9f7030bca0_k.jpg</image:loc>
			<image:caption>Sneaky Path, Byarong Creek</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/16b268acfe97c9ce7f977c0a08436e6346a6d445f8fd14855e710c1d13780bd7/16303426206_9f325e96c4_k.jpg</image:loc>
			<image:caption>Drain, Byarong Creek</image:caption>
		</image:image>
	</url>
	<url> 
		<loc>https://lucasihlein.net/Sunset-Symphony-in-the-Sunflowers</loc> 
		<lastmod>2022-11-28T04:41:18+00:00</lastmod>
		<changefreq>always</changefreq>
		<priority>0.5</priority>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/365500dd5dedf01acb34395c1c9566822d445a43b523b479477fc9306919517e/40019812671_8a48daa80a_k.jpg</image:loc>
		</image:image>
	</url>
	<url> 
		<loc>https://lucasihlein.net/Sugar-vs-the-Reef</loc> 
		<lastmod>2022-11-27T06:09:13+00:00</lastmod>
		<changefreq>always</changefreq>
		<priority>0.5</priority>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/e7077cc8aa1a04c3ff34796be4ae6dcf1f09f798718847fbbc4166fe348e4783/EC11059_Fb.jpg</image:loc>
			<image:caption>Wet season runoff from canefields which carries nutrients, sediment and chemicals into rivers that flow to the reef. (Photo credit: CSIRO This photo was published by Ecos Magazine:read full article).</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/a5d785239c5a60fedf7e85e4bf68dd663d03e2c696e24c6ece9b53147f59d5ae/3-Sugar-districts-1940_0.jpg</image:loc>
		</image:image>
	</url>
	<url> 
		<loc>https://lucasihlein.net/Watershed-Land-Art-Project</loc> 
		<lastmod>2022-11-28T10:09:24+00:00</lastmod>
		<changefreq>always</changefreq>
		<priority>0.5</priority>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/02c6de607831398ecdec67e560cf1e4a5eb7872acb0b1c9a813a4cc5c11f0f7e/watershed-aerial-03.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/a893f382969c8f74d9e9a86bc11b247d8cf6594ece6fded31f22d1b4f09ef554/watershed-aerial-04.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/c104f9b07db330fe33b18118a0c1a4e42cd138dd65e57c334568da5aa004e483/watershed-aerial-01.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/ab17dcd42f46bc558e32ddf2473b9b2fc6a270ca01d97edb40c67fc30d813ef2/watershed-aerial-02.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/26da2d506c2baf1e834d07cce19730b2c77bb80484dbc5158b773ab6081a0d7b/beacon-legume-lucas-and-kids.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/adf0fba8b00ef9b78e60e52b6f77c9406be9f42f6d0cdcc60d4820a0e9c3941a/beacon-planting-aerial.jpg</image:loc>
		</image:image>
	</url>
	<url> 
		<loc>https://lucasihlein.net/Futurelands2</loc> 
		<lastmod>2022-11-28T04:53:26+00:00</lastmod>
		<changefreq>always</changefreq>
		<priority>0.5</priority>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/bac66621dac5c3cb5616b71beef8035fe912a40f8111a4af4b53ed7d430dcd3b/futurelands-2-newspaper.JPG</image:loc>
		</image:image>
	</url>
	<url> 
		<loc>https://lucasihlein.net/An-artist-a-farmer-and-a-scientist-walk-into-a-bar</loc> 
		<lastmod>2022-11-28T05:00:11+00:00</lastmod>
		<changefreq>always</changefreq>
		<priority>0.5</priority>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/3742b9cd7cbcfb427fc030d65cc82d3eadd6b2ffe844f420357e2e969c9e2c49/laura-KSCA-newspaper-launch.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/4422054bef3c1e6a7079effd16a7afb663c8c74147c15248d55d7ae565a6b43b/Screen-Shot-2022-03-24-at-10.51.47-am.png</image:loc>
		</image:image>
	</url>
	<url> 
		<loc>https://lucasihlein.net/Baking-Earth-Soil-and-the-Carbon-Economy</loc> 
		<lastmod>2022-11-28T03:07:18+00:00</lastmod>
		<changefreq>always</changefreq>
		<priority>0.5</priority>
	</url>
	<url> 
		<loc>https://lucasihlein.net/EXTRA-EXTRA</loc> 
		<lastmod>2022-11-28T04:36:55+00:00</lastmod>
		<changefreq>always</changefreq>
		<priority>0.5</priority>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/302f18558089c13f90bd8c778439e5bbb1c235b9926c5702bcc8438dffae15f5/lucas-ihlein-and-collaborators---extra-extra-newspapers.jpg</image:loc>
			<image:caption>All five editions of the EXTRA! EXTRA! newspaper printed by the Rizzeria</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/9690cc3be58ca57a527573ada6afe2c72480b2cdcbbce4cfbd653a5777565498/Ihlein-Rizzeria-Extra-Extra-2019-02---photo-by-Jenni-Carter.jpg</image:loc>
			<image:caption>Ian Shoobridge (far left), Alisa Croft (left) and Lucas Ihlein prepare an edition of EXTRA! EXTRA! at Art Gallery of NSW</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/8d3a948b6122845bd929ef35ad46e0b3252897b4cbddbb6de70174c71e787fe8/Ihlein-Rizzeria-Extra-Extra-2019-01-photo-by-Jenni-Carter.jpg</image:loc>
			<image:caption>The EXTRA!EXTRA! print workshop installation at Art Gallery of NSW</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/2c98481c2d49adebde208077502119d2910893e296494921181e44b1ef686834/lucas-ihlein-extra-extra-installation-detail.jpg</image:loc>
			<image:caption>Detail of the pages from the newspaper editions pinned up on the wall at Art Gallery of NSW</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/d41c69dd63f30f0521a33f42462eab32b45da32072e82ca2ed7d24e32012de3b/lucas-ihlein-extra-extra-edition-2-2019.jpg</image:loc>
			<image:caption>Detail of front page of edition 2 of EXTRA!EXTRA!</image:caption>
		</image:image>
	</url>
	<url> 
		<loc>https://lucasihlein.net/Plastic-free-Biennale</loc> 
		<lastmod>2022-11-08T12:06:06+00:00</lastmod>
		<changefreq>always</changefreq>
		<priority>0.5</priority>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/b5f8c77301698b83a7215f863b329d9361341ea29d9c555be5db89c0ec186b31/pfb-book.jpeg</image:loc>
		</image:image>
	</url>
	<url> 
		<loc>https://lucasihlein.net/City-Sea</loc> 
		<lastmod>2025-08-19T19:24:58+00:00</lastmod>
		<changefreq>always</changefreq>
		<priority>0.5</priority>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/9fb29e8cc74873a04ae9f8594f07ef949b316ebc5f9be303483f162ff387499e/City---Sea-Photos-5-1-999x562.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/6f9f875f6fca4d596659d6b0787d79a8b1fb2afb6af8b9bfbaf189b77c76fc1b/City---Sea-Photos-24.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/9f267cc1c2ed2646608aa3cefd320f0117293eec779bc16174baf14e1c4f55ad/City---Sea-Photos-3.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/8463319d36a5ec3cc818f8e263aa5825d549c7d105cce73eddf19f53f15292d5/City---Sea-Photos-21.jpg</image:loc>
		</image:image>
	</url>
	<url> 
		<loc>https://lucasihlein.net/Re-enactment-of-Horror-Film-1</loc> 
		<lastmod>2025-08-19T19:42:35+00:00</lastmod>
		<changefreq>always</changefreq>
		<priority>0.5</priority>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/03152ab7c33bf72a1c0f9675aece925e05db66ef662a99f6c2f7cac73af9891b/louise-performing-horror-film-1.jpg</image:loc>
			<image:caption>Louise Curham performing Horror Film 1 at Canberra Contemporary Art Space, June 2014</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/902cd206ead7f2ebb895c45d44a22b2c3936ce22e631cb98ade48bd88b02a1ca/louise-and-lucas-with-projector.jpg</image:loc>
			<image:caption>Louise Curham and Lucas Ihlein in preparation for presenting Horror Film 1 at Canberra Contemporary Art Spcce, June 2014</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/6fbc94cf936463b69426af5008f70408cbb8890e61a2c98e2cbe302b4b8ce18a/oliver-thomas.jpg</image:loc>
			<image:caption>Oliver Thomas Cash Curham Shaw (aged 5) practices the moves of Horror Film 1 with his mother, Louise Curham</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/92479953ead5e2694adc5697a672a496c1fa186644908987b6b33ec58d2dc810/setting-up-2.jpg</image:loc>
			<image:caption>Louise Curham and Lucas Ihlein in preparation for presenting Horror Film 1 at Canberra Contemporary Art Space, June 2014</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/444eae90b920d3bc18f7e57043d5bd7498981960ad64ab9c15978f15f272a23a/setting-up.jpg</image:loc>
			<image:caption>Lucas Ihlein and Peter Shaw in preparation for presenting Horror Film 1 at Canberra Contemporary Art Space, June 2014</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/129bd9d5d28479b6274b5ea54d980fa14aa835ac5bbec22f62ede58d268761de/malcolm-louise-lucas.jpg</image:loc>
			<image:caption>Louise Curham, Lucas Ihlein and Malcolm Le Grice, in Malcolm's studio, June 2013</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/1058f62da81829f36d3dc42c3d5cae5c679c22d5b3b488599969286ae872a299/le-grice-stand-in.jpg</image:loc>
			<image:caption>Note by Malcolm Le Grice: "I decided I should soon need to train a stand in</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/44c98485272516c7c204c8d883259a168acf702a0a68a500ded5d68dbd5ee1b5/le-grice-horror-film.jpg</image:loc>
			<image:caption>Malcolm Le Grice, performance documentation from performance of Horror Film 1</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/85657f02fbfd8a5799d4ba60f6979087108fc00df5d16d3e87dbb2db06cccf3b/horror-film-diagram.jpg</image:loc>
			<image:caption>Lucas Ihlein, Diagram showing set-up for Horror Film 1</image:caption>
		</image:image>
	</url>
	<url> 
		<loc>https://lucasihlein.net/Pootopia</loc> 
		<lastmod>2025-08-19T19:33:30+00:00</lastmod>
		<changefreq>always</changefreq>
		<priority>0.5</priority>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/f60d735746de70a949b6056e2d45c5ddfdf6208079e924c1850bb8c53c9c538d/20230929_025454_1340_c.jpg</image:loc>
			<image:caption>Design for the installation by Kim Williams</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/a977738ca03bf598a6ad93b501139cb7f18c1f45d81a0f772b7633af66371c31/20231013_173545_1340_c.jpg</image:loc>
			<image:caption>the interior of VIPoo</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/e67744b324043c285a6286fc8f758f5f1eacdac0839ba1d199777f76adcbc287/20231014_143239_1340_c.jpg</image:loc>
			<image:caption>The Yours and Owls Green Team visit the VIPoo</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/f7d1aa5c331b8cf1bc2477c6763d872f73ca394dac240718ffae2299e2276b30/20231014_163939_1340_c.jpg</image:loc>
			<image:caption>Punters having fun queuing up to contribute their humanure</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/dffcf4da378562ca5d11d283811b73737dca59546ae6dc003da1d832635d5472/IMG_20231014_073937_886_1340_c.jpg</image:loc>
			<image:caption>Cameron shows off the ShitCoin currency designed by John Causley</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/a53092c0e7ca12b6f559ade894a9a2067a4fafcb78c536f8ffa958dc4a7a532f/IMG_20231014_135535_806_1340_c.jpg</image:loc>
			<image:caption>Participant trying out our luxury hand washing sink</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/24e777fcf80009eef739019a82ff42c8e58acddc8acbd290ebb414e011a64105/IMG_20231014_175248_800_1340_c.jpg</image:loc>
			<image:caption>Happy contributor with fruit reward</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/84d8173b18d8888938b3ffc37c96b6e7dfadd798764d8f4ea355126b5ddf59f6/IMG_20231014_192336_429_1340_c.jpg</image:loc>
			<image:caption>Economist Amir Arjomandi with the Pootopia! manifesto at Yours and Owls festival</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/e6e9815e9638e684668b0e591aa22010d17645c29271d8b9c68198bb6b7c70b1/IMG_20231015_224318_847_1340_c.jpg</image:loc>
			<image:caption>Economist Alfredo Paloyo discussing our incentive scheme with a participant</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/5f32d7b4c7573d25e8c406553d4a61c6eba075e39e0a6988b9ce6cd387b2ee83/IMG_20231015_224715_865_1340_c.jpg</image:loc>
			<image:caption>Kaz celebratiing with our hundredth contributor.</image:caption>
		</image:image>
	</url>
	<url> 
		<loc>https://lucasihlein.net</loc> 
		<lastmod>2026-03-02T20:32:28+00:00</lastmod>
		<changefreq>always</changefreq>
		<priority>0.5</priority>
	</url>
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