︎
Mick Hender and Lucas Ihlein, The Peg#24 Pieces: Peg#24, Gomboc Gallery Sculpture Survey, 1995. Mick Hender and Lucas Ihlein, The Peg #24 Pieces: The Large Sculpture, exhibited at Missing the Link, Artshouse Gallery, Perth, 1995 Mick Hender and Lucas Ihlein, The Peg #24 Pieces: Performers I and II, performance at Putting on an Act, PICA, Perth, 1995. Mick Hender and Lucas Ihlein, The Peg #24 Pieces: Performers I and II, performance at Putting on an Act, PICA, Perth, 1995. Mick Hender and Lucas Ihlein, The Peg #24 Pieces: Performers I and II on the Road Again, performance at Perth Cultural Centre, 1996. Mick Hender and Lucas Ihlein, The Peg #24 Pieces: Performers I and II on the Road Again, performance at Perth Cultural Centre, 1996. Mick Hender and Lucas Ihlein, The Peg #24 Pieces: Performers I and II on the Road Again, performance at Perth Cultural Centre, 1996. Mick Hender and Lucas Ihlein, The Blue Panels, Silver Artrage Festival History Exhibition, 2008. To the right of the blue panels in this installation shot is a fragment from Mick Hender's Black and Gold Art project from 1995
The Peg#24 Pieces: Mick Hender and Lucas Ihlein (Henihle), 1995-6

The Peg#24 Pieces, collaboration with Mick Hender, 1995, glass, ready-made peg, land, conversation, performances, photography, printmaking...

1995: first exhibited "au plein air" at Gomboc Gallery, Perth as part of Gomboc Sculpture Survey.

The Peg#24 Pieces went through several performance iterations and locations during 1995-6: Artshouse Gallery; Putting on an Act at PICA; UWA School of Architecture and Fine Arts; and the Perth Cultural Centre Forecourt.

A "documentary artwork" (silkscreen and photographs) about The Peg#24 Pieces, entitled The Blue Panels was created in 1995) and later exhibited at PICA, Perth in October 2008 as part of Silver Artrage Festival history exhibition, curated by Andrew Gaynor and Marcus Canning.

These works are discussed in Lucas Ihlein’s PhD thesis as a precursor to Bilateral Petersham. 
lucasihlein.net